Amanda Eubanks Winkler

Amanda Eubanks Winkler is a British-American scholar of English music and theater. She is Professor of Music History and Cultures and Chair of the Department of Art and Music Histories at Syracuse University College of Arts and Sciences. Since 2017, she has collaborated with theater historian Richard Schoch on the AHRC Research Project Performing Restoration Shakespeare.[1]

Amanda Eubanks Winkler
Born
Amanda Eubanks Winkler
Academic background
Alma mater
Academic work
InstitutionsSyracuse University College of Arts and Sciences

Education

Eubanks Winkler completed a B.M. in music history and literature and vocal performance, summa cum laude at Illinois State University in 1994. She earned a M.A. in musicology from University of Michigan (UM) in 1996 and a Ph.D. from the same institution in 2000.

Career

Eubanks Winkler joined the faculty of Syracuse University College of Arts and Sciences in 2001. Her research focuses on English theater music and culture. She was the Co-Investigator on Performing Restoration Shakespeare], a project funded by the Arts & Humanities Research Council, UK (2017-2020) and she is a General Editor for The Collected Works of John Eccles (A-R Editions). She has published on a range of topics, including books and essays on Restoration theater music, music and Shakespeare, children's performances in early modern England, performance practice, and contemporary Broadway musicals. More recently, she has engaged with practice-based research, running workshops that staged excerpts of William Davenant's Macbeth and Charles Gildon's Measure for Measure (Folger Theatre, Washington DC)] and Thomas Middleton's The Witch (Blackfriars Conference, Staunton, VA). As part of the Performing Restoration Shakespeare project, she served as music director for a workshop of the Restoration-era Tempest (Sam Wanamaker Playhouse, Shakespeare's Globe, London) and co-led a workshop for scholars and served as a consultant for a full professional production of Davenant’s Macbeth at the Folger Theatre, Washington DC.[2][3]

Selected works

Books
  • Eubanks Winkler, Amanda (2006). O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage. Indiana University Press. ISBN 978-0-253-34805-0.[4]
  • Austern, Linda Phyllis; Bailey, Candace; Eubanks Winkler, Amanda (2017). Beyond Boundaries: Rethinking Music Circulation in Early Modern England. Indiana University Press. ISBN 978-0-253-02497-8.[5]
  • Eubanks Winkler, Amanda (2020). Music, Dance, and Drama in Early Modern English Schools. Cambridge University Press. ISBN 978-1-108-85898-4.
  • Eubanks Winkler, Amanda and Schoch, Richard (2021). Shakespeare in the Theatre: Sir William Davenant and the Duke's Company. Arden Shakespeare/Bloomsbury. ISBN 9781350130579

References
  1. "Performing Restoration Shakespeare". Queen's University Belfast. Retrieved April 18, 2023.{{cite web}}: CS1 maint: url-status (link)
  2. "Performing Restoration Shakespeare (workshop)". Folgerpedia. Retrieved April 18, 2023.{{cite web}}: CS1 maint: url-status (link)
  3. "ENCORES: 'Davenant's Macbeth' produced by Folger Theatre and Folger Consort (2018)". Folger Shakespeare Library. Retrieved April 18, 2023.{{cite web}}: CS1 maint: url-status (link)
  4. Reviews of O Let Us Howle Some Heavy Note:
    • McFadden, Megan (2009). "Review". Women and Music: A Journal of Gender and Culture. 13 (1): 101–106. doi:10.1353/wam.0.0025. ISSN 1553-0612. S2CID 191434138.
    • Willin, Melvyn J. (October 2009). "Review". The Seventeenth Century. Durham. 24 (2): 373–374.
    • Austern, Linda P. (2007). "Review". Renaissance Quarterly.
    • Williams, Sarah F. (2008). "Review". Restoration: Studies in English Literary Culture, 1660–1700. 32 (1): 68–70. ISSN 0162-9905. JSTOR 43293809.
    • Pehl, Christa (Winter 2007). "Review". Early Music America. Cleveland, Ohio. 13 (4): 56–57.
  5. Review of Beyond Boundaries:
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