Anaïs Duplan
Anaïs Duplan (born 1992) is a Haitian writer now based in the U.S.,[1] with three book publications from Action Books, Black Ocean Press, and Brooklyn Arts Press, respectively.[2] His work has been honored by a Whiting Award[3] and a Marian Goodman fellowship from Independent Curators International,[4][5] and he is queer and trans.[6]
Early life and education
Duplan was born in Jacmel, Haiti.[1] He moved to the United States as a child and grew up in Boston and Brooklyn with his mother.[7] His writing about his father's absence from his childhood and how it impacted his understanding of gender norms was published in The Paris Review,[8] and he discussed his parents' impact on his work in an interview with The Rumpus.[9] He also lived in Cuba for several years.[10] Eventually, after attending Rhode Island School of Design, Duplan graduated from Bennington College in 2014[11] and then the Iowa Writers' Workshop in 2017.[12]
Career
Duplan's poetry publications include the book Take This Stallion, published in 2016 by Brooklyn Arts Press, which Publishers Weekly wrote in a review "tactfully manages to stir the comical and casual into poems about pain, crippling emotional uncertainty, substance abuse, and death,"[13] and I NEED MUSIC, published in 2021 by Action Books.[2][6] The latter received praise from poets Jericho Brown, Major Jackson, and Shane McCrae,[14] as well as positive reviews from Literary Hub[15] and Make.[16] In June 2021, Duplan was the guest editor for the Academy of American Poets's Poem-a-Day series.[17][18]
Duplan's first nonfiction book, Blackspace: On the Poetics of an Afrofuture, was published by Black Ocean Press in 2020 after excerpts were published in Ploughshares[19] and Hyperallergic.[20] The nonfiction book discusses the meanings of transition and passing in regard to gender, including the irreversible effects of testosterone therapy.[19] Claudia Rankine listed it as a book she looked forward to reading in an interview with The New York Times,[21] Hanif Abdurraqib called it "futuristic work,"[22] and a review in Colorado Review noted that its style is "as much theoretical as it is journalistic as it is in the style of manifesto."[23] In 2022, he received a Whiting Award for nonfiction,[9] which NPR noted was a predictor of writers who would go onto become "household names."[5] Vanity Fair noted Duplan's outfit at the award reception as a "spectacular jumpsuit."[3]
In 2016, Duplan founded the Center for Afrofuturist Studies, an artist residency program[8][24] developed to give artists of color arts space after a fundraiser on Kickstarter.[25] The first artists-in-residence while Duplan served as director were Yulan Grant, Terrence Nance, Krista Franklin.[25] In 2021, the center started new collaborations with Iowa City, including murals, interviews, and performances.[26] While at Iowa, Duplan met Tracie Morris, when they "both presented talks at Columbia University’s More Than A Manifesto conference" and she later interviewed him about black sociality, academia, and influences for The Los Angeles Review of Books.[12] Duplan was also interviewed for the New York City Trans Oral History Project, in conjunction with New York Public Library's oral history project.[10] He has been teaching at Bennington College, his alma mater, since 2021.
References
- "Anaïs Duplan". Bennington Review. Retrieved 2022-04-14.
- Duplan, Anaïs (2022-04-06). "Anaïs Duplan, Nonfiction". The Paris Review. Retrieved 2022-04-14.
- "The Whiting Awards Choose 10 Up-and-Coming Writers Who Don't Shy Away From the Current Moment". Vanity Fair. 2022-04-08. Retrieved 2022-04-14.
- "Announcing the winners of the 2022 Whiting Awards". Literary Hub. 2022-04-06. Retrieved 2022-04-14.
- O'Reilly, Fi (2022-04-06). "2022 Whiting Awards celebrate 10 emerging writers". NPR. Retrieved 2022-04-14.
- Cassell, Dessane Lopez (2020-06-15). "Queer Art Workers Reflect: Anaïs Duplan On "Becoming a Better Lover"—Not Just in a Romantic Sense". Hyperallergic. Retrieved 2022-04-21.
- "Music is a Vehicle for Perceiving | PORT Magazine". 2022-04-04. Retrieved 2022-04-14.
- Duplan, Anaïs (2022-04-06). "Anaïs Duplan, Nonfiction". The Paris Review. Retrieved 2022-04-21.
- "The Rumpus Mini Interview #109: Anaïs Duplan". The Rumpus.net. 2017-11-09. Retrieved 2022-04-21.
- W., Xtian (June 18, 2019). "NEW YORK CITY TRANS ORAL HISTORY PROJECT" (PDF).
- "| Bennington College". www.bennington.edu. Retrieved 2022-04-14.
- "Los Angeles Review of Books". Los Angeles Review of Books. 2021-01-09. Retrieved 2022-04-14.
- "Take This Stallion by Anais Duplan". www.publishersweekly.com. 2016-06-01. Retrieved 2022-04-22.
- "Anaïs Duplan, I Need Music". Action Books. Retrieved 2022-04-22.
- "The Body is Alive and Awake, the Spirit a Decision Problem". Literary Hub. 2016-08-24. Retrieved 2022-04-22.
- "MAKE Literary Productions, NFP | Review: Blackspace by Anaïs Duplan". Retrieved 2022-04-22.
- Poets, Academy of American. "About Anaïs Duplan | Academy of American Poets". poets.org. Retrieved 2022-04-22.
- Poets, Academy of American. "June 2021 Poem-a-Day Guest Editor Anaïs Duplan | poets.org". poets.org. Retrieved 2022-04-22.
- "Blackspace: On the Poetics of an Afrofuture". blog.pshares.org. Retrieved 2022-04-21.
- Duplan, Anaïs (2020-11-12). "Making Use of the Mundane: Black Performance & Becoming". Hyperallergic. Retrieved 2022-04-21.
- "Claudia Rankine Wishes More Writers Thought About Whiteness". The New York Times. 2020-11-26. ISSN 0362-4331. Retrieved 2022-04-21.
- Inc, Crowdcast. "Skylit: Anaïs Duplan, Kelly Schirmann & Stacey Tran read from their new books". Crowdcast. Retrieved 2022-04-21.
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has generic name (help) - "Blackspace: On the Poetics of an Afrofuture". Center for Literary Publishing. Retrieved 2022-04-22.
- "Creating art while empowering artists". This is UIowa. Retrieved 2022-04-21.
- Dunne, Carey (2016-03-09). "Space (or Iowa City) Is the Place: Inside the New Center for Afrofuturist Studies". Hyperallergic. Retrieved 2022-04-22.
- Hartel, Mary. "Center for Afrofuturist Studies strives to uplift Black voices across various platforms". The Daily Iowan. Retrieved 2022-04-22.