Buck Ellison

Buck Ellison was born in 1987 in San Francisco, California.[1] He received a BA degree in German literature from Columbia University, in 2010; and an MFA degree from the Städelschule, Frankfurt am Main in 2014.[1][5]

Through collages, films, and photographs, he produces a deep network of inquiry into how whiteness and privilege are sustained and broadcast.[6][2]

Ellison has exhibited at The Hammer Museum,[7][8] and has been in group exhibitions including the 16th Lyon Biennial, 2022,[9] the Whitney Biennial, Whitney Museum of American Art, 2022,[10] Made in L.A. 2020: a version, The Hammer Museum, Los Angeles; The Huntington Libraries and Museum, Pasadena, 2020 (cat.)[7], Antarctica, Kunsthalle Wien, Vienna, 2018[11] The Sun Placed In The Abyss, Columbus Museum of Art, Columbus, 2016 (cat.)[9] among others.

His work has been reviewed in Aperture,[6] Artforum,[5] ArtReview, the British Journal of Photography, Flash Art,[12] Kaleidoscope, Mousse magazine, The New Yorker, The New York Times, and Texte zur Kunst.[1][13]

His first monograph, Living Trust, won the Paris Photo-Aperture Best PhotoBook Award 2020.[4]

His work is in the museum collections of the Aïshti Foundation, The Art Institute of Chicago, The Carnegie Museum of Art, Pittsburgh, The Hammer Museum, Los Angeles, Los Angeles County Museum of Art (LACMA),[14], Museum of Contemporary Art, Los Angeles, and the Whitney Museum of American Art.[15]

• Abudu, KJ, “Photography Report: Imaging Racial Capital,”, e-flux, 25 April 2023.
• Packard, Cassie, "Buck Ellison Meets Prince," Art Review, 24 April 2023.
• Glass, Joshua, “Can Buck Ellison Make You Care About Erik Prince?,” Cultured Magazine, 21 March 2023.
• Diehl, Travis, “Buck Ellison’s Great White Society,” The New York Times, 24 June 2022.
• Griffin, Jonathan, “Buck Ellison’s American Freaks,” Art Review, 9 June 2022.
• Living Trust, Loose Joints, 2020 (monograph)[3]

• Paris Photo-Aperture Foundation PhotoBook Award, first PhotoBook winner (2020)[4]