Cecelia Condit

Cecelia Condit (born 1947, in Philadelphia, Pennsylvania) is an American video artist. Condit's films are noted for their attempts to subvert traditional mythologies of female representation and psychologies of sexuality and violence.

Cecelia Condit
Purple-tinted photograph of a smiling, middle-aged white woman in front of a forest background.
Born1947
Philadelphia, PA
NationalityAmerican
Occupation(s)Video Artist and Professor Emerita at the University of Wisconsin–Milwaukee[1]
Years active1981-present
Known forShort film, surrealist film
Notable workPossibly in Michigan

Not a Jealous Bone

Annie Lloyd

Pulling Up Roots

We Were Hardly More Than Children

I'm Not Afraid

Condit has received awards from the Guggenheim Foundation, American Film Institute, National Endowment for the Arts, Mary L. Nohl Foundation, Wisconsin Arts Council and National Media Award from the Retirement Research Foundation. Her work has shown internationally in festivals, museums and alternative spaces and is represented in collections including the Museum of Modern Art in NYC and Centre Georges Pompidou Musee National d'Art Moderne, Paris, France. In 2008, Condit had her first solo show exhibition at the CUE Art Foundation in New York.[2]

She studied at the Pennsylvania Academy of Fine Arts, University of Pennsylvania, received a B.F.A. in sculpture from the Philadelphia College of Art and M.F.A. in photography from Tyler School of Art of Temple University. She served as professor and director of the graduate program in the Department of Film, Video, Animation, and New Genres at the University of Wisconsin-Milwaukee, before retiring in 2017.[3]

Condit's work received renewed attention in 2015 after her short film Possibly in Michigan was posted to Reddit.[4] Four years later, an audio clip from the same film became a viral hit on TikTok, with over 22,000 iterations created as of July 2019.[5]

Her videos are available from the Video Data Bank, Chicago, and Electronic Arts Intermix, NYC.

Videography
Year[6] Title
1981 Beneath the Skin
1983 Possibly in Michigan
1987 Not a Jealous Bone
1996 Suburbs of Eden
1990/2008 Oh, Rapunzel
2003 Why Not a Sparrow
2004 All About a Girl
2005 Little Spirits
2008 Annie Lloyd
2015 Pulling Up Roots
2016 Some Dark Place
2017 Pizzly Bear
2019 We Were Hardly More Than Children
2020 I've Been Afraid
2021 AI and I

Select Installations

Condit has created a number of video installations including:

Personal life

Condit has two grown sons, Schuyler Vogel, who serves as the Senior Minister of the Fourth Universalist Society in the City of New York, and Lloyd Vogel, who is the CEO of Garage Grown Gear, a popular outdoor gear company.

References
  1. "Faculty & Staff Directory". Peck School of the Arts. University of Wisconsin-Milwaukee.
  2. "Cecelia Condit". CUE Art Foundation. Retrieved 2019-08-13.
  3. "Cecelia Condit | Peck School of the Arts".
  4. "Possibly the creepiest thing I've ever watched". 30 April 2015.
  5. "Cecelia Condit's Video Art is Going Viral on TikTok". 22 July 2019.
  6. "VIDEO". Cecelia Condit. Retrieved 2022-01-04.
  7. "North Dakota Museum Of Art | past 2010 cecelia condit". www.ndmoa.com. Retrieved 2022-01-04.
  8. "Cecelia Condit: Within a Stone's Throw". Nevada Museum of Art. Retrieved 2022-01-04.
  9. "PHOTOGRAPHY". Cecelia Condit. Retrieved 2022-01-04.
  10. "Women, Nature, Science: Cecelia Condit: Tales of a Future Past". www.lyndensculpturegarden.org. 2016-07-12. Retrieved 2022-01-04.
  • University of Wisconsin faculty profile
  • Tamblyn, Christine. “Significant Others: Social Documentary as Personal Portraiture in Women’s Video of the 1980’s.”
  • Mellencamp, Patricia, “Uncanny Feminism: The Exquisite Corpses of Cecelia Condit”, Framework, vol. 32, no. 3:104-22.
  • Doug Hall and Sally Jo Fifer's “Illuminating Video: An Essential Guide to Video Art.”
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