Under Her Control

Under Her Control[1] (Spanish: La jefa, lit.'The Boss') is a 2022 Spanish drama film directed by Fran Torres which stars Aitana Sánchez-Gijón and Cumelen Sanz

Under Her Control
Film poster
SpanishLa jefa
Directed byFran Torres
Screenplay byLaura Sarmiento
Starring
Production
companies
  • Feelgood Media
  • Francisco Torres Quincoces
  • Hugo-Daniel Boyero Garmendia
  • Penúltima Toma AIE
  • Teoponte PC
  • Audiovisuales del Monte
Distributed byFilmax
Release date
  • 29 April 2022 (2022-04-29)
CountrySpain
LanguageSpanish

Plot

Sofía, who works for a multinational company, gets pregnant. Desperate for offspring, Sofía's boss Beatriz offers her a bargain involving the child (to be given in adoption) in exchange for a job promotion. Instead of interrupting her pregnancy, Sofía accepts the offer.[2][3]

Cast

  • Aitana Sánchez-Gijón as Beatriz[3]
  • Cumelén Sanz as Sofía[4]
  • Álex Pastrana as Nacho[4][5]
  • Pedro Casablanc as Julio[4]
  • Vanessa Rasero as Cristina[4]
  • María Fernández as Belén[5]
  • Younes Bachir as Hamid[6][5]
  • Rocío Setjo as Tati[5]
  • Lucía Quinteiro as Ayudante nueva[5]
  • Daniel Prim as Alberto[5]
  • Adán Redondo as Ayudante 1[5]
  • Salomé Jiménez as Carmen[5]
  • Niko Verona as Cura[5]
  • Patricia Fuertes as Empleada 2[5]
  • Mariela Rafaela Martínez Campos as Encargada[5]
  • Mehdi Regragui as Jonathan[5]
  • Alicia Martínez as Modelo maniquí[5]

Production

La jefa is Fran Torres' debut feature film.[7] The screenplay was penned by Laura Sarmiento.[8] Produced by Feelgood Media, Francisco Torres Quincoces, Hugo-Daniel Boyero Garmendia, Penúltima Toma AIE, Teoponte PC and Audiovisuales del Monte,[9] filming took place in 2021, shooting in Madrid in July.[10]

Release

Distributed by Filmax, it was theatrically released in Spain on 29 April 2022.[9]

Reception

Pablo Vázquez of Fotogramas rated the film with 4 out of 5 stars praising "its twisted and playful nature, worthy of the best exploitation cinema", assessing the give-and-take between a Joan Crawford-esque Sánchez-Gijón and the "young and enchanting" Cumelén Sanz to be the engine of the film.[2]

Oti Rodríguez Marchante of ABC scored 2 out of 5 stars, writing that "the way in which the plot is complexified is overly forced, but it is easy to see the place towards which the plot is tumbling".[11]

Carmen L. Lobo of La Razón gave it 3 out of 5 stars, praising "an always stupendous" Sánchez-Gijón as well as Cumelén Sanz, while also observing the similarities of the story with that of The Daughter.[12]

See also

References

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