Lost Souls (2000 film)

Maya Larkin, a Catholic teacher, is accompanying Father Lareaux, Father Jeremy, and John Townsend to a psychiatric clinic to exorcise Henry Birdson, who has been experiencing epileptic seizures and obsessively scribbling a mysterious series of numbers. The exorcism is unsuccessful, however, as Henry falls into a coma and Father Lareaux is weakened. Maya smuggles Henry’s notes out and, via polyalphabetic substitution, she translates the numbers and receives the name "Peter Kelson". Maya then learns from television that Peter Kelson is a writer who researches serial killers and studies pathological narcissism and parapsychology.

In the meantime, Peter meets with his family. Over lunch, he shares a repetitive dream in which he is reading a book with the characters "XES" on the cover. Later, one of the priests discover that it is the Greek number "χεζ", which in its value 22 + 5 + 6, indicates that the incarnation of the devil will meet a man in the minute of his 33rd birthday.

Maya realizes Peter is the chosen personification of the devil. Persuading Peter to participate in an exorcism, she approaches him to look for a pentagram under his bed and at the same time, hands him the tape on which Henry's exorcism was recorded. As Peter plays the tape in his apartment it appears silent. Instead, Henry’s screams are heard in the neighbor’s apartment, and the resident is later found to have killed herself.

Peter shares with his girlfriend, Claire, the pentagram after he discovers it hidden in the false ceiling of the apartment below hers. Claire pulls out a gun and threatens to shoot Maya. A struggle between both women ensues in which a shot inadvertently fired, killing Claire.

In order to carry out the exorcism on Peter, they reach out to Father Lareaux. Since Henry's exorcism, Lavreaux has become possessed, so an exorcism is carried out on him instead, killing him. As Lareaux lays dying, he tells Peter and Maya to seek Peter's uncle, Father James, who is celebrating mass in a church with members of Peter's family. Peter shoots both his uncle and two other members of his family, before driving off with Maya in his car.

Peter stops his Land Rover under a blocked bridge and hands the gun to his passenger, Maya. At the moment the digital vehicle clock changes to 6:66 a.m., Maya shoots Peter dead.

• Winona Ryder as Maya Larkin
• Ben Chaplin as Peter Kelson
• Sarah Wynter as Claire Van Owen
• Philip Baker Hall as Father James
• John Hurt as Father Lareaux
• W. Earl Brown as William Kelson
• Alfre Woodard as Dr. Allen
• Elias Koteas as John Townsend
• Brian Reddy as Father Frank Page
• John Beasley as Detective Mike Smythe
• John Diehl as Henry Birdson
• Brad Greenquist as George Viznik
• Anna Gunn as Sally Prescott

The film was shot in 1998 on location in Los Angeles and New York City in America. The film was initially set for release in October 1999. However, due to a flood of "end of the world" and supernatural horror movies such as End of Days and Stigmata scheduled for release around the same time, a decision was made to delay the film. The second release date, February 2000, was also cancelled due to a conflict with the very popular Scream franchise. A final release date of October 2000 was finally decided upon, which also happened to be exactly the same day as the re-release of The Exorcist.

The film opened at #3 at the North American box office making USD$7,954,766 in its opening weekend. Lost Souls ultimately grossed only $31.3 million worldwide, making it a box office bomb.[1]

The film was given very negative reviews from critics, though the condemnation was somewhat tempered by praise for its photography and atmosphere. On Rotten Tomatoes it has a rating of 8% based on 91 reviews, with the website's consensus stating: "Though Kaminski's film is visually stylish, Lost Souls is just another derivative entry in the Apocalypse genre, with lackluster direction, unengaging characters, and no scares."[2] At Metacritic, which assigns a normalized rating to reviews, the film has an average weighted score of 16 out of 100, based on 29 critics, indicating "overwhelming dislike".[3] Audiences polled by CinemaScore gave the film a rare "F" grade on an A+ to F scale.[4][5]

Elvis Mitchell in The New York Times wrote: "There are some particularly fine visual details; it's the central story that's lacking ... After what is supposed to be a harrowing moment, Kelson says, 'I was surprised but I was never frightened.' That about sums up Lost Souls."[6] Jonathan Rosenbaum in The Chicago Reader dismissed the film as "visually striking set pieces set loose in a void.[7] Steven Rea wrote in The Philadelphia Inquirer, "Despite its spooky, color-desaturated visuals, guffaws, not screams, are more in order.[8] Carla Meyer wrote in the San Francisco Chronicle, "Even a badly executed horror movie can achieve cheesy greatness. This one, unfortunately, is too somber for that. It's artfully shot -- to be expected with Kaminski as director -- with everything bathed in green and golden light. The set designers should be commended for their fine choice in lamps -- from Tiffany to Deco, they're fabulous, even in the priests' quarters. But when the furniture stands out more than the story, the movie's a stinker."[9] Roger Ebert wrote in his review, "Lost Souls possesses the art and craft of a good movie, but not the story. For a thriller about demonic possession and the birth of the antichrist, it's curiously flat. All through the movie, I found myself thinking about how well it was photographed. Not a good sign."[10]

The critical review from Film4 wrote: "Concluding with an ending reminiscent of both The Game and Jacob's Ladder (though delivered with the panache of neither), Lost Souls is not worth seeking out."[11]

• Lost Souls at AllMovie
• Lost Souls at IMDb 
• Lost Souls at the TCM Movie Database
• Lost Souls at Metacritic
• Lost Souls at Box Office Mojo
• Lost Souls at Rotten Tomatoes
• Lost Souls at the American Film Institute Catalog