Margia Dean

Marguerite Louise Skliris-Alvarez was born in Chicago, Illinois, to Evangelis Skliris, a lawyer, and his wife who studied in Paris, France, her grandfather owned all of the railroads in Greece, her great great grandfather had risen to become the regent of Greece, the family had emigrated from Athens to the United States in 1913, settling in Chicago before Margia was born, but moved to San Francisco, California[2] when she was at a young age.[1]

Dean began acting at the age of 7, appearing on stage in many child roles and later won the Women's National Shakespeare Contest for her role as Juliet in a production of Romeo and Juliet.[1] She also took up modelling and was named "Miss San Francisco" and "Miss California" in 1939.[3][4] She was a top-five runner-up to Patricia Donnelly in the "Miss America 1939" competition.[1]

After her modelling, she was told that had she stayed in New York, she would have been on Broadway, but as her mum was working returned back to San Francisco, to finish her education. She did, however, start her career in the theatre genre, working with the Geary and Curren Theatre and then with the Biltmore Theatre in Los Angeles.[1]

She made her feature film debut in Casanova in Burlesque (1944) and adopted her stage name, Margia Dean.[1] Although never under contract to a studio, and worked variously at Republic Pictures. ;;Columbia Pictures and Paramount Pictures, but for the majority of films, where with both 20th Century Fox and some 16 in all,[2] for Lippert Pictures under the producer Robert L. Lippert, and she became known as the Queen of Lippert[1]

Her first leading role was in Shep Come Home (1948) and roles followed in Red Desert (1949), FBI Girl (1951), The Lonesome Trail (1955), Villa!! (1958) and Seven Women from Hell (1961). Dean starred in a 1958 western, Ambush at Cimarron Pass, that featured Clint Eastwood in one of his earliest film roles. She also portrayed a trapeze artist in the 1961 circus tale The Big Show, which starred Esther Williams and Robert Vaughn.

Her association with Lippert had led to her being cast in The Quatermass Xperiment (1955), the first Hammer horror film.[5] Frustrated that her roles were predominantly in B movies, she eventually retired from acting following her marriage in 1965 to her second husband, architect Felipe Alvarez. Her final film was Moro Witch Doctor[1] She briefly became involved in movie production, creating '"Margo Productions" producing The Long Rope (1961) with Hugh Marlowe as well as a number of television pilots.[1] She has since been vice-president of a real estate firm and has worked in costume design and interior decoration.[1]