New Cinema History

New Cinema History is a movement of media historians dedicated to rewriting film history as a social history of film cultures, instead of merely an art history of the moving image. The term was coined by Richard Maltby as "a body of work that focuses on the circulation and consumption of film and examines cinema as a site of social and cultural exchange."[1] Maltby's terminology partly aimed to institutionalize and expand to an international scale his prior decade-long collaboration with Melvyn Stokes researching Hollywood film audiences,[2][3][4] and coincided with the formation of the HoMER Network: History of Moviegoing, Exhibition and Reception.

References
  1. Biltereyst, Daniël; Philippe, Meers (2011). Explorations in new cinema history : approaches and case studies. Wiley-Blackwell. pp. xii. ISBN 9781405199490. OCLC 692084803. {{cite book}}: |first= missing |last= (help)
  2. Melvyn, Stokes; Maltby, Richard (1999). Identifying Hollywood's audiences : cultural identity and the movies. British Film Institute. ISBN 9780851707389. OCLC 41338511.
  3. Melvyn, Stokes; Maltby, Richard (2001). Hollywood spectatorship : changing perceptions of cinema audiences. BFI Pub. ISBN 9780851708119. OCLC 45306616.
  4. Melvyn, Stokes; Allen, Robert Clyde (2007). Going to the movies : Hollywood and the social experience of cinema. University of Exeter Press. ISBN 9780859898119. OCLC 180880538. {{cite book}}: |first= missing |last= (help)
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