Preacher's Daughter

Preacher's Daughter is an Americana,[2] pop rock,[3] folk,[4] ethereal,[5] alt-pop,[6] goth-pop,[3] and dark ambient[7] album with influences from slowcore,[7] heartland rock,[7] classic rock,[7] cock rock,[8] sludge,[8] gospel,[7] industrial,[3] noise,[3] horror-electronica,[3] country and drone.[9]

"Family Tree (Intro)" opens with a distorted recording of a Southern preacher, foreshadowing the religious themes to come.[7] "American Teenager" is a heartland rock,[2] country rock,[10] and ambient pop[11] song lead by synths and guitars that tells of teenage American nostalgia.[7] "A House in Nebraska" is an eight-minute torch song[8] featuring "angelic melodies, layers of reverb twisting around each other with dizzying clarity"[12] and ends with an arena rock guitar solo.[7] "Western Nights" is a pop rock song[1] about "a woman and her Harley-riding boyfriend crossing state lines, on the run from their past and still bearing family traumas."[2] "Hard Times" is a bedroom pop song[8] wherein "Cain admits to fearing how badly she wants to emulate the fatherly authorities in her life who brought her harm".[7] "Gibson Girl" "achieves a delicate mix of sultry and haunting"[7] with its "American-gothic eroticism" that shows the faults of the American Dream,[12] ending with a stadium rock guitar solo.[13] "Family Tree" blends sludge and outlaw country as Cain "reveals the deadly agency her persona wields" as she reckons with "a genealogy marked by violence on all fronts"[7] "Thoroughfare" is a country-inspired epic that "replaces the intensity of electric guitars with swelling vocals, reverberating drums and a cathartic whimsy," ending with a tambourine and scat singing jam session.[7]

The album's climax "Ptolemaea" is an industrial[2] doom metal song[8] named after the ninth circle of Hell in Dante's Inferno that houses Ethel Cain's namesake. "Horrifying and awe-striking", Cain "holler[s] with horror and anguish just as the guitars plunge into disarray and the occasional blast beat appears." The preacher from the intro returns to speak distorted incantations for the Daughters of Cain and "their whore mothers".[7] After "Ptolemaea" comes two instrumental tracks, "August Underground" and "Televangelism". The former is a doom-ambient track with low-register guitars and siren vocalizations[7] that is "meant to represent Cain’s attempted escape from, and ultimate death at the hands of, her murderous lover".[1] "Televangelism" is a piano-led piece drowned in reverb that, towards the end, becomes swallowed by tape hiss, highlighting the "artificiality" of televangelism and "allegorizing [Cain's] ascent to heaven.[7][1] "Sun Bleached Flies" is a country power ballad[8][7] that "wrestl[es] with the contradictions of organized religion"[1] Album closer "Strangers" is influenced by hair rock[14] and grunge that ends in "a swarm of energetic chaos",[12] with Cain now a "freezer bride" in her killer's basement, awaiting consumption, as she sends out one final message of love to her mother.[1]

To promote the album, Cain hosted album release shows in Los Angeles (May 18, 2022) and New York (May 25, 2022).[15][16] She also embarked on the Freezer Bride Tour in 2022 and the Blood Stained Blonde Tour in 2023,[17][18] with the latter marking her Coachella debut.[19]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	82/100[20]
Review scores
Source	Rating
Beats Per Minute	[1]
Clash	9/10[12]
Crack	9/10[8]
DIY	[13]
Gigwise	[9]
The Guardian	[3]
The Line of Best Fit	9/10[14]
Paste	[7]
Pitchfork	6.4/10[2]
Sputnikmusic	[21]

Preacher's Daughter received a score of 82 out of 100 based on eight reviews from media aggregate site Metacritic, indicating "universal acclaim".[20] In a five-star review for DIY, Ben Tipple wrote that Cain "has an unparalleled power to drag you into her world" and called her "an autobiographical embodiment of escape, and of a fresh start".[13] Jessie Atkinson of Gigwise named Preacher's Daughter "an American epic" and that "Ethel Cain is only 24 and has already written something as striking and with as much potential for cultural impact".[9] Crack writer Emma Garland called Cain's voice "resplendent and seemingly infinite in register, and transforming this landslide of beauty and suffering into some of the most fearless songwriting in recent memory."[8]

Devon Chodzin of Paste, wrote that "where one may knock some of the power ballads for sameness, one might instead find consistency, an album grounded in the artist’s inspirations and narrative mission that is, above all, tantalizing. It is hard not to crave more."[7] The Line of Best Fit contributor Paul Bridgewater called the album "thematically a reckoning of salvation and oppression, all played out across the battlefield of religion and love. It's an ambitious undertaking for a first album, but Cain's success largely comes down to embracing the universal language of pop as her mother tongue and keeping a deft hand over all aspects of her work, as both songwriter and producer." Clash writer Oshen Douglas McCormick called it "a heart-wrenching collection of songs that urges the listener to give themselves over to this album as much as Ethel Cain gives herself over to you."[12]

In June 2022, Preacher's Daughter was listed as one of the best albums of the year so far by Gorilla vs. Bear.[22] In July 2022, Paste named "American Teenager" the best song of the year so far, with contributor Jacqueline Codiga describing it as "a deeply felt portrait of a doomed, yet hopeful character" and writing that it "has the stadium-sized scale, relatability and ambition to become the biggest song in the entire country".[23]

All tracks written and produced by Ethel Cain, except where noted.

• Preacher's Daughter at Discogs (list of releases)
• Preacher's Daughter at MusicBrainz (list of releases)