Something to Do with Paying Attention

Something to Do with Paying Attention is a novella touted as David Foster Wallace's final work of fiction by The New Yorker.[1][2][3][4] It was published by McNally Editions and distributed by Simon & Schuster on April 5, 2022.[5]

Something to Do with Paying Attention
An image of the 2022 book cover
2022 book cover
AuthorDavid Foster Wallace
CountryUnited States
LanguageEnglish
SubjectUnited States. Internal Revenue Service--Fiction.

Accountants--Fiction. Civil service--Fiction. Nineteen seventies--Fiction. Illinois--Fiction. Confessional fiction.

Bildungsromans. Novellas.
GenreLiterary fiction, Satire
Set in1970's Illinois
PublisherMcNally Editions and Simon & Schuster
Publication date
April 5, 2022
Media typePrint paperback
Pages152
ISBN9781946022271 1946022276
OCLC1302877293
Preceded byThe Pale King 
WebsiteOfficial website

About the novella

The preface is by Sarah McNally, the book's editor and seller. Wallace's unfinished novel The Pale King contains a character named Chris Fogle. Fogle's wide-ranging monologue was extracted from that book and became this novella. According to McNally, Fogle's monologue is The Pale King's most extensive segment.[1] McNally also says this novella is "not just a complete story, but the best concrete example we have of Wallace’s late style, where calm and poise replace the pyrotechnics of Infinite Jest and other early works."[1]

Wallace himself considered publishing this part of The Pale King as a completed work, because he was acutely aware of his difficulty completing The Pale King to his satisfaction, and because he worried a long stretch of time had passed since his last published novel in 1996.[2][6]

According to Jonathan Russel Clark, who reviewed this book for the Los Angeles Times, McNally explains that she published this book for readers unfamiliar with Wallace's work and its complexity, calling it "a perfect place to start".[2]

Background

The Pale King was assembled from an extensive collection of papers and some floppy disks Wallace left behind that had accumulated for about ten years, since about 1996. According to Jon Baskin, the New Yorker's reviewer of this novella, Wallace "left a pile of papers, spiral notebooks, three-ring binders, and floppy disks on a table in his garage. The collection of notes, outlines, prose fragments, character sketches, and partial chapters reportedly ran to hundreds of thousands of words".[1]

Reception

In a review published by the Los Angeles Times, Jonathan Russel Clark writes that the novella "has the rhythm of waves on a beach as high tide approaches: forward movement before pulling back, all the while inching farther up the sand",[2] and "For all his virtuosity, Wallace specialized in erudite neurotics from Middle America who suffer from various degrees of mental illness. These are the characters he wrote best because they came from his own experience."[2]

References

Further reading

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