Amar Akbar Anthony

Amar Akbar Anthony is a 1977 Indian Hindi-language masala film directed and produced by Manmohan Desai and written by Kader Khan. The film stars an ensemble cast of Vinod Khanna, Rishi Kapoor, Amitabh Bachchan, Neetu Singh, Parveen Babi, Shabana Azmi, Nirupa Roy, Pran and Jeevan. The plot focuses on three brothers separated in childhood who are adopted by families of different faiths; Hinduism, Islam and Christianity. They grow up to be a police officer, a qawwali singer and the owner of a country bar, respectively.

Amar Akbar Anthony
Theatrical release poster
Directed byManmohan Desai
Written byKader Khan (dialogue)
K. K. Shukla (scenario)
Screenplay byPrayag Raj
Story byJeevanprabha M. Desai
Pushpa Sharma (story idea)
Produced byManmohan Desai
StarringVinod Khanna
Rishi Kapoor
Amitabh Bachchan
Neetu Singh
Parveen Babi
Shabana Azmi
Nirupa Roy
Pran
Jeevan
CinematographyPeter Pereira
Edited byKamlakar Karkhanis
Music byLaxmikant–Pyarelal
Anand Bakshi (lyrics)
Distributed byHirawat Jain & Co.
Release date
  • 27 May 1977 (1977-05-27)
Running time
184 minutes
CountryIndia
LanguagesHindi
Urdu
Box office₹155 million

The soundtrack album was composed by Laxmikant-Pyarelal and the lyrics were written by Anand Bakshi. The film was released on 27 May 1977 and earned 155 million (US$17.69 million) at the Indian box office, becoming the highest-grossing Indian film of that year, alongside Dharam Veer and Hum Kisise Kum Naheen.[1]

Religious tolerance became a landmark theme in Bollywood masala films,[2] building on the masala formula pioneered a few years earlier by Nasir Hussain's Yaadon Ki Baaraat (1973).[3][4] Amar Akbar Anthony also had a lasting impact on pop culture with its catchy songs, quotable one-liners, and the character of Anthony Gonsalves (played by Bachchan). It won several awards at the 25th Filmfare Awards, including Best Actor, Best Music Director and Best Editing. It was later remade in Tamil as Shankar Salim Simon (1978), in Telugu as Ram Robert Rahim (1980),[5] and in Malayalam as John Jaffer Janardhanan (1982). In Pakistan, the film was unofficially remade in Punjabi as Akbar Amar Anthony (1978).[6]

Plot

1955

The film begins on the Independence Day of India with a lower middle-class chauffeur named Kishanlal Tripathi (Pran) being released from prison as he was arrested after taking the blame of a fatal hit-and-run accident. The crime was actually committed by his employer; the sadistic international crime lord Robert D'Souza (Jeevan), who had initially assured him that his family's welfare will be looked after by him following Kishanlal's arrest. However, Kishanlal is aghast to return home and discover his wife Bharati (Nirupa Roy) suffering from tuberculosis and their three infant sons starving badly from hunger. This causes a furious Kishanlal to land up at Robert's mansion and hold him responsible over the recent developments in his house. Instead of lending him a helping hand, Robert mercilessly forces Kishanlal to polish his shoes and gives him a single coin in return before ordering his gang members to kill him. Despite this, Kishanlal manages to escape from one of Robert's cars loaded with smuggled gold bullion as Robert's gang members give chase in the middle of the night.

Upon reaching home, Kishanlal finds his sons abandoned by Bharati who has left a suicide note - which reads that she does not wish to live with the money he is paid by wrongdoings. Dejected, Kishanlal takes his sons to the Borivali National Park and leaves them at the foot of the Mahatma Gandhi statue for safety before driving off alone for outrunning Robert's gang members. In a car crash, Kishanlal and his sons are presumed dead by both the gang members and the police. During Kishanlal's absence in the park - the three sons are respectively found and adopted by a Hindu police officer called Superintendent Khanna (Kamal Kapoor), a Muslim tailor called Mr. Ilahabadi (Shivraj), and a Christian priest called Father Gonsalves (Nazir Hussain).

Following her suicide attempt, Bharati is struck blind by a falling branch as a sign of punishment from the deity for abandoning her sons. She is rescued and dropped off home safely by Mr. Ilahabadi, although she is unable to recognise her youngest son due to her lack of sight. Bharati is devastated to learn from the police that Kishanlal and their sons died in the car crash. Having survived the car crash, Kishanlal returns to the park with Robert's gold bullion in search of his sons, only to find them all disappeared. Believing that he has lost his entire family, a distraught Kishanlal angrily swears vengeance on Robert due to him being the cause of all the unpleasant circumstances.

1977

22 years later, the three brothers are shown grown-ups with different names, faiths and professions in Mumbai; the oldest son is a Hindu police officer named Amar Khanna (Vinod Khanna), the youngest son is a Muslim singer of qawwali named Akbar Ilahabadi (Rishi Kapoor), and the middle son is a Christian owner of a country bar named Anthony Gonsalves (Amitabh Bachchan). As fate would have it, the trio run into each other once again while donating blood to a blind hit-and-run victim - unaware that she too is their mother Bharati, who is now shown to be selling flowers. Meanwhile, Kishanlal is now shown to be a wealthy crime lord as he had used the smuggled gold bullion to form his own syndicate by rounding up Robert's henchmen to his own underworld and drive the latter out of his business, thereby forcing a penniless Robert to work for him. At one instance, Kishanlal forces a miserable Robert to polish his shoes and gives him a single coin in return (the same method Robert used to taunt Kishanlal). At the same time, it is also revealed that in order to avenge his separation from his family, Kishanlal had abducted Robert's infant daughter Jenny from his mansion and took her in as his niece before sending her off abroad for studies.

During a police raid on one of Kishanlal's loading docks, Kishanlal and his gang members are forced to vacate the place, allowing Robert to escape with a shipment of smuggled gold bullion and shoot Superintendent Khanna non-fatally in the process. Meeting up with Robert during his escapade, Anthony hides him from the police due to the fact that he is unaware about his crime, only to be later arrested by Amar for the crime of helping a criminal escape. While on his way to the court, Anthony is abducted from the police truck by Kishanlal's gang members and is brought before Kishanlal, who also interrogates him about Robert's whereabouts. However, Anthony manages to escape from Kishanlal's mansion using some of his clever tricks and respectfully returns to the police station as a prisoner. As a result, Anthony feels guilty for his illegal actions after learning from Amar what Robert did to Superintendent Khanna, although he is considered to be acquitted by the police.

As the story unfolds, each of the three brothers find themselves falling in love; Amar falls in love with a small-time crook named Lakshmi Anand (Shabana Azmi) after arresting her abusive stepmother (Nadira) for the sake of her grandmother (Pratima Devi), Akbar falls in love with a beautiful physician named Salma Ali (Neetu Singh) whose grumpy father Taiyyab Ali (Mukri) disapproves of their relationship, and Anthony falls in love with Jenny (Parveen Babi) - who has recently arrived in India - during a church sermon on Easter Sunday. Using the gold bullion, Robert regains his former position as a crime lord and swears to kill Kishanlal with the intention of retrieving Jenny as his daughter. While Kishanlal and Jenny are proceeded to be pursued by Robert, Kishanlal meets with a severe car accident, leaving behind Jenny in the danger of Robert and his gang members. Despite this, Anthony saves Jenny from the gang of Robert, while Akbar takes Kishanlal to the hospital. However, Robert attempts to torture Kishanlal over Jenny's whereabouts at the hospital, but ends up bumping into Bharati and recognizes her to be Kishanlal's wife.

Thus, Robert nearly abducts Bharati from the hospital in hopes of using her as a pawn to retrieve his daughter, but she manages to escape from him and his gang members to a festival honouring the Sai Baba of Shirdi that is hosted by Akbar, where she miraculously regains her eyesight by God's grace and Akbar's devotion. During her visit to Akbar's house, Mr. Ilahabadi recognizes Bharati as the woman whom he had saved from the falling branch and dropped off home safely 22 years ago. Also, Bharati stumbles upon Akbar's childhood portrait and realises that he is her long-lost youngest son. After being held hostage in the hospital by Robert, Salma and Taiyyab Ali are in a house fire arranged by some prostitutes who worked under Taiyyab Ali. After they both are saved by Akbar, Taiyyab Ali gratefully gives his blessings to Akbar and Salma's relationship. Salma's information proceeds to lead both Akbar and Amar to learn that they are brothers and that Kishanlal and Bharati are their parents.

However, things take a drastic turn when Jenny is betrayed by one of her bodyguards named Zebisco (Yusuf Khan), who sells her out to Robert in exchange of her hand in marriage. Along with Zebisco, Robert abducts Jenny from outside the church and stabs Father Gonsalves fatally in the process due to the latter's intervention. Lakshmi is also abducted and held hostage at Robert's mansion by her stepbrother Ranjeet (Ranjeet Bedi), who happens to be one of the gang members of Robert. After learning what happened to Father Gonsalves, Anthony discovers - with the help of Kishanlal's divine locket and Bharati's old suicide note - that they both are his parents and that Amar and Akbar are his brothers. With the knowledge that they are related and after the recount of the whole chain of incidents, the trio is determined to make Robert pay for his crimes and manages to receive the whereabouts of his mansion with Kishanlal's help.

Posing as an one-man musician, an elderly tailor and a catholic priest, the trio succeed in entering Robert's mansion along with Salma and perform for Robert and his gang members in a comical way. After their performance, the trio creates a commotion between Robert and Zebisco that allows Salma to help Lakshmi and Jenny escape to the police station. Eventually, the trio reveal themselves and have a long standoff with Robert, Zebisco, Ranjeet and all the other gang members before calling in the police to the scene and having them all arrested and sent to prison for their crimes. However, Bharati is distraught to learn that Kishanlal is also arrested and sent to prison by the police for his past crimes. Despite this, Kishanlal is released from prison by Superintendent Khanna to only allow him embrace the trio once. The film ends with the trio and their loved ones happily driving in the sunset, satisfied that they have taken down Robert and his gang members for good.

Cast

The cast is listed below (according to the opening credits) -

  • Vinod Khanna as Amar Khanna; Akbar and Anthony's brother, Lakshmi's lover-turned-husband, Salma and Jenny's brother-in-law, Kishanlal and Bharati's oldest son
  • Rishi Kapoor as Akbar Ilahabadi; Amar and Anthony's younger brother, Salma's lover-turned-husband, Lakshmi and Jenny's brother-in-law, Kishanlal and Bharati's youngest son
  • Amitabh Bachchan as Anthony Gonsalves; Amar and Akbar's brother, Jenny's lover-turned-husband, Lakshmi and Salma's brother-in-law, Kishanlal and Bharati's middle son
  • Neetu Singh as Salma Ali / Salma Ilahabadi; Akbar's lover-turned-wife, Amar and Anthony's sister-in-law, Lakshmi and Jenny's co-sister, Kishanlal and Bharati's youngest daughter-in-law
  • Parveen Babi as Jenny D'Souza / Jenny Gonsalves; Anthony's lover-turned-wife, Amar and Akbar's sister-in-law, Lakshmi and Salma's co-sister, Kishanlal and Bharati's middle daughter-in-law, Robert's separated daughter
  • Shabana Azmi as Lakshmi Anand / Lakshmi Khanna; Amar's lover-turned-wife, Akbar and Anthony's sister-in-law, Salma and Jenny's co-sister, Kishanlal and Bharati's oldest daughter-in-law
  • Nirupa Roy as Bharati Tripathi; Kishanlal's wife, Amar, Akbar and Anthony's biological mother, Lakshmi, Salma and Jenny's mother-in-law
  • Pran as Kishanlal Tripathi; Bharati's husband, Amar, Akbar and Anthony's biological father, Lakshmi, Salma and Jenny's father-in-law, Robert's archrival
  • Jeevan as Robert D'Souza; Kishanlal's archrival, Jenny's separated father
    • Jeevan, in a dual role, also portrays Albert D'Souza; Robert's estranged twin brother in a cameo appearance
  • Yusuf Khan as Zebisco; Jenny's betraying bodyguard
  • Mukri as Taiyyab Ali; Salma's father
  • Nazir Hussain as Father Gonsalves; Anthony's adoptive father
  • Kamal Kapoor as Superintendent Khanna; Amar's adoptive father
  • Shivraj as Mr. Ilahabadi; Akbar's adoptive father
  • Pratima Devi as Lakshmi's old paternal grandmother
  • Moolchand as Pedro; Robert's friend
  • Helen as Fake Jenny; Kishanlal's accomplice at the airport arrival
  • Nadira as Lakshmi's abusive stepmother
  • Madhumati as Bijli; Taiyyab Ali's prostitute
  • Ranjeet Bedi as Ranjeet Anand; Lakshmi's stepbrother

Production

"You see the whole country of the system is juxtapositioned by the hemoglobin in the atmosphere, because you are a sophisticated rhetorician intoxicated with the exuberance of your own verbosity."

—Anthony Gonsalves, in his monologue preceding the "My Name Is Anthony Gonsalves" sequence[7]

Amar Akbar Anthony has a cinematic antecedent in Yash Chopra's 1965 film Waqt, in which a father's three sons are separated from each other. Waqt also inspired the 1976 super-hit diamond jubilee Pakistani film Talash, starring Shabnam and Nadeem. However, Amar Akbar Anthony was slated to release in 1975, prior to Talash's release.[8][9]

Prayag Raj wrote the film's screenplay, while Kader Khan wrote the dialogue.[10]

The character of Anthony Gonsalves was named after the famous composer and teacher of the same name, whose pupils included Pyarelal (of Laxmikant–Pyarelal, the composer duo of the film) and R. D. Burman.[11][12] Director Manmohan Desai had planned for Amitabh's character to be named “Anthony Fernandes,” with Bakshi's song entitled “My Name is Anthony Fernandes.” However, the song didn't go well with Laxmikant-Pyarelal. Composer Pyarelal then recalled his famous violin teacher and suggested that the character's last name be changed to “Gonsalves.”[11][13] The nonsensical monologue preceding the "My Name Is Anthony Gonsalves" sequence was taken in part from a 1878 speech by British politician Benjamin Disraeli in reference to W. E. Gladstone.[11]

Filming

Amar Akbar Anthony was Manmohan Desai's first film as an independent film producer. The film was shot over a month at Ranjit Studios in Mumbai. Some exterior and interior shots were filmed at the Mount Mary Church in Bandra, Mumbai and at the Don Bosco School, Wadala, Mumbai respectively.[11][14] Shooting was scheduled so that the entire cast didn't have to appear together except for the climactic sequence and the title song ("Anhoni Ko Honi"), where they all perform as a group. However, the shooting went over schedule, which required Rishi Kapoor and Shabana Azmi to shoot their scenes separately so they could leave towards the end of production to work on other films.

Analysis

Amar Akbar Anthony incorporates a strong element of secularism[15] within a Bollywood masala film. Analysts such as Virdi (2003) and Kavoori & Punathambekar (2008) opine that the themes of Desai's "magnum opus" include religious pluralism and secular nationalism.[16][17] Philip Lutgendorf hints that the separation of the three children on Indian Independence Day is akin to the Partition of India.[18] Similarly, Vijay Mishra (2013) argues that the film reaffirmed India's "liberal ethos." [19] The three religions represented by the titular characters are the "pillars of the nation:" when they work together, they can restore life to their mother (represented when they donate blood during the opening title sequence) and beat any evil (symbolised by their common villain).[20] The characters' reunion with their parents completes the nationalistic allegory,[16][17] suggesting that what was lost at independence can be regained.[21]

The film's masala style is evident in its plot and characters. According to Varia (2013), Amar Akbar Anthony was conceived as a tragedy but later incorporated many other genres.[22] Dickson (2016) commented that the film featured a plot which would "give even Shakespeare migraines."[23] Some authors also highlight the archetypal character of the suffering and self-sacrificing mother (Roy).[24] However, Dinesh Raheja concludes that "ultimately, the show belongs to Amitabh Bachchan. In a tailor-made role, he has the audience in stitches. Despite his playing an implausible character, one quickly surrenders one's reservations in favour of a rollicking romp."[25]

Music

Amar Akbar Anthony
Soundtrack album by
Released7 January 1977
GenreFeature Film Soundtrack
LabelUniversal Music India
ProducerManmohan Desai

Amar Akbar Anthony's soundtrack was composed by Laxmikant-Pyarelal, with lyrics penned by Anand Bakshi. It proved as popular and successful as the film itself. The vinyl record, released on Polydor, was the first LP that was coloured pink.

Some of the biggest names in the Indian music industry of the time provided vocals for the film's songs. Four leading playback singers Kishore Kumar, Mohammed Rafi, Mukesh and Lata Mangeshkar, sang together for the first and only occasion in their careers on "Humko Tumse Ho Gaya Hai Pyar."[11] In this song Kishore sang for Amitabh Bachchan, Rafi sang for Rishi Kapoor, Mukesh for Vinod Khanna while Mangeshkar sang for Shabana Azmi, Neetu Singh, and Parveen Babi. The film also features a comical filmi qawwali entitled "Parda Hai Parda" ("There Is a Veil"), sung by Rafi.[26] Other musical legends who worked on the film include Mahendra Kapoor and Shailendra Singh.

Original tracklist[27][28]
No.TitleSinger(s)Length
1."Ye Sach Hai Koi Kahani Nahin"Mohammad Rafi02:22
2."Amar Akbar Anthony"Kishore Kumar, Mahendra Kapoor, Shailendra Singh05:52
3."Humko Tumse Ho Gaya Hai Pyar"Kishore Kumar, Mohammad Rafi, Mukesh, Lata Mangeshkar07:33
4."Taiyabali Pyar Ka Dushman"Mohammad Rafi04:40
5."Parda Hai Parda"Mohammad Rafi, Amit Kumar (Uncredited, one line)[29]07:59
6."Shirdi Wale Sai Baba"Mohammad Rafi05:52
7."My Name Is Anthony Gonsalves"Kishore Kumar, Amitabh Bachchan05:32

Release

The Emergency Period delayed the release of several of Manmohan Desai's films. As a result, four of Desai's films, Dharam Veer, Chacha Bhatija, Parvarish, and Amar Akbar Anthony, were released in 1977.[30][31] Incidentally, all of these would be amongst the top-grossing films of the year.[1]

Marketing

For the film's marketing, erasers with the images of Vinod Khanna, Rishi Kapoor, and Amitabh Bachchan were sold to students.[32] Posters, postcards, and song booklets of the film were sold in shops. Colorful vests and metal crosses that were similar to the ones worn by Bachchan in the film achieved popularity.

Reception

The film grossed 155 million (US$17.69 million) at the Indian box office and was the highest-grossing Bollywood film at the Indian Box Office for the year 1977.[1] It has since been regarded as one of the most iconic films of Indian cinema.[33]

Adjusted for inflation, the film has grossed approximately 423 crores ($51 million) as of 2023.

Accolades

Award Category Recipients and Nominees Results
25th Filmfare Awards Best Actor Amitabh Bachchan Won
Best Music Director Laxmikant–Pyarelal
Best Editing Kamlakar Karkhanis
Best Film Manmohan Desai Nominated
Best Director
Best Lyricist Anand Bakshi for "Parda Hai Parda"
Best Male Playback Singer Mohammed Rafi for "Parda Hai Parda"

Bibliography

  • Booth, Gregory D. (2008). Behind the curtain: Making music in Mumbai's film studios. Oxford University Press. ISBN 978-0-19-971665-4.
  • Elison, William; Novetzke, Christian Lee; Rotman, Andy (2016). Amar Akbar Anthony: Bollywood, brotherhood, and the nation. Harvard University Press. ISBN 9780674504486.
  • Haham, Connie (2006). Enchantment of the mind: Manmohan Desai's films. Roli Books. ISBN 978-81-7436-431-9.

Further reading

References

  1. "Box office 1977". Box Office India. 2011. Archived from the original on 12 October 2012. Retrieved 6 August 2013.
  2. Dwyer, Rachel (2005). 100 Bollywood films. Lotus Collection, Roli Books. p. 14. ISBN 978-81-7436-433-3. Archived from the original on 20 September 2016.
  3. Sharma, Devansh (2 November 2018). "Yaadon Ki Baaraat: Nasir Hussain's 1973 potboiler initiated Hindi cinema's transformation into 'Bollywood'". Firstpost. Archived from the original on 9 February 2019. Retrieved 5 February 2019.
  4. Manwani, Akshay (8 January 2018). "Yaadon Ki Baaraat: The quintessential bollywood film". Daily News and Analysis. Archived from the original on 9 February 2019. Retrieved 5 February 2019.
  5. ET Bureau (20 September 2008). "Transcending language barrier". The Economic Times. Archived from the original on 8 October 2012. Retrieved 12 June 2012.
  6. Rabe, Nate (2 September 2017). "Sounds of Lollywood: The big difference between 'Amar Akbar Anthony' and its Pakistani rip-off". Scroll. Archived from the original on 15 July 2020. Retrieved 13 July 2020.
  7. Heyman, Michael; Satpathy, Sumanyu; Ravishankar, Anushka (2007). The tenth rasa: An anthology of Indian nonsense. Penguin Books India. p. 133. ISBN 978-0-14-310086-7. Archived from the original on 7 January 2014.
  8. Dasgupta, Rohit K.; Datta, Sangeeta (2019). 100 essential Indian films. Rowman & Littlefield. p. 6. ISBN 9781442277984.
  9. "Talash". Pakistan Film Magazine. n.d. Archived from the original on 17 July 2019. Retrieved 17 July 2019.
  10. "Excerpt: Amar Akbar Anthony". Mint. 3 August 2013. Archived from the original on 6 August 2013. Retrieved 6 August 2013.
  11. Roy, Gitanjali (8 May 2013). "10 things you didn't know about Amar Akbar Anthony". NDTV Movies. Archived from the original on 15 July 2013. Retrieved 3 August 2013.
  12. Booth, p. 3
  13. Booth, p. 5
  14. San Miguel, Helio (2012). Mumbai. World Film Locations. Intellect Books. p. 42. ISBN 978-1-84150-632-6.
  15. Mohamed, Khalid (31 January 2018). "Muslims in the movies: The good, the bad, and the Khilji". The Quint. Archived from the original on 2 February 2018. Retrieved 3 February 2018.
  16. Virdi, Jyotika (2003). The cinematic imagiNation: Indian popular films as social history. Rutgers University Press. p. 36. ISBN 978-0-8135-3191-5.
  17. Kavoori, Anandam P.; Punathambekar, Aswin (2008). Global Bollywood. NYU Press. p. 128. ISBN 978-0-8147-2944-1.
  18. Lutgendorf, Philip (2014). "Amar Akbar Anthony". Indian cinema. University of Iowa. Archived from the original on 27 June 2013. Retrieved 6 August 2013.
  19. Mishra, Vijay (2013). Bollywood cinema: Temples of desire. Routledge. p. 203. ISBN 978-1-135-31099-8.
  20. Damsteegt, Theo, ed. (2003). Heroes and heritage: The protagonist in Indian literature and film. Leiden University. p. 217. ISBN 978-90-5789-090-1.
  21. Nochimson, Martha P. (23 September 2011). World on film: An introduction. John Wiley & Sons. p. 266. ISBN 978-1-4443-5833-9.
  22. Varia, Kush (2013). Bollywood: Gods, glamour, and gossip. Columbia University Press. p. 34. ISBN 978-0-231-50260-3.
  23. Dickson, Andrew (2016). Worlds elsewhere: Journeys around Shakespeare's globe. Henry Holt and Company. p. 200. ISBN 978-0-8050-9735-1.
  24. Breckenridge, Carol A., ed. (1995). Consuming modernity: Public culture in a South Asian world. University of Minnesota Press. p. 166. ISBN 978-0-8166-2305-1.
  25. Raheja, Dinesh (22 March 2003). "Amar Akbar Anthony: Whoop-it-up fun!". Rediff.com. Retrieved 3 February 2018.
  26. Morcom, Anna (1 January 2007). Hindi film songs and the cinema. Ashgate Publishing. p. 82. ISBN 978-0-7546-5198-7. Archived from the original on 23 March 2016.
  27. "Amar Akbar Anthony (Original motion picture soundtrack)". Apple Inc. January 1981. Archived from the original on 31 January 2018. Retrieved 3 February 2018.
  28. "Amar, Akbar, and Anthony soundtrack credits". IMDb. Archived from the original on 4 November 2014. Retrieved 3 November 2020.
  29. Diptakirti Chaudhuri, "Bollygeek: The Crazy Trivia Guide to Bollywood", Hachette India, 2021.
  30. Whitener, Brian (2007). "Amar Akbar Anthony". Movies & TV Dept. The New York Times. Archived from the original on 13 November 2007. Retrieved 6 August 2013.
  31. Ganti, Tejaswini (5 March 2013). Bollywood: A guidebook to popular Hindi cinema. Routledge. p. 223. ISBN 978-0-415-58384-8.
  32. "100 Filmfare Days: 49- Amar Akbar Anthony". Filmfare. 10 June 2014. Archived from the original on 1 February 2018. Retrieved 3 February 2018.
  33. "70 iconic films of Indian cinema". Mint. 18 August 2017. Archived from the original on 26 October 2017. Retrieved 3 February 2018.
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