Hong Sang-soo
Hong Sang-soo (홍상수, born 25 October 1960) is a South Korean film director and screenwriter.
Hong Sang-soo | |
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![]() Hong at the 72nd Berlin International Film Festival, 2022 | |
Born | Seoul, South Korea | 25 October 1960
Occupation(s) | Film director, screenwriter |
Years active | 1996–present |
Spouse |
Unnamed
(m. 1985, separated) |
Children | 1 |
Korean name | |
Hangul | |
Hanja | |
Revised Romanization | Hong Sang-su |
McCune–Reischauer | Hong Sangsu |
IPA | [ɸʷo̞ŋ sʰa̠ŋ.sʰu] |
Early life
Hong's parents owned the film production company Cinetel Soul.[4] Hong took the entrance exam and entered the theater department at Chung-Ang University in South Korea. He then studied in the United States where he received his bachelor's degree from the California College of Arts and Crafts and his master's at the School of the Art Institute of Chicago.[5][6][7]
Career
Hong made his directorial debut at age 35 with The Day a Pig Fell into the Well in 1996. Woman is the Future of Man (2004) was his first film to screen in competition at the Cannes Film Festival.[4]
Hong's films have also screened at the Berlin International Film Festival, the Venice Film Festival, and the Locarno Film Festival.[8]
He has received the Prix Un Certain Regard at the 2010 Cannes Film Festival for Hahaha, the Silver Leopard Award for Best Director at the 2013 Locarno International Film Festival for Our Sunhi, and the Golden Leopard at the 2015 Locarno International Film Festival for Right Now, Wrong Then. His 2020 film The Woman Who Ran won him the Silver Bear for Best Director at the 70th Berlin International Film Festival.[9]
Hong's 2022 black and white film The Novelist's Film won the Silver Bear Grand Jury Prize at the Berlinale. It was described as the film that "celebrates the beauty of chance encounters, while talking about the importance of authenticity in the dishonest world of cinema" by the executive director Carlo Shatrian of the 72nd Berlin International Film Festival.[10]
Film style
There are certain elements that are commonly found in Hong's films. A typical Hong film highlights a theme of domestic realism with many of the scenes set on residential streets, cafes, hotels, schools, and in the stairwells of apartment buildings.[4] Characters in the film are seen walking around the city, drinking soju, and having sex. The main characters in his films are often movie directors or actors, and scenes typically consist of a single shot, often beginning and ending with a camera zoom. The budgets for his movies average about $100,000.[8]
Hong is often spontaneous when shooting, delivering the day's scene on the morning of the shoot and frequently changing stories while on set.[4] He rarely prepares scripts in advance. Hong instead begins with a basic guideline and writes his scenes on the morning of the filming day, making changes throughout the day.[8] Hong starts the filming day at 4 a.m. when he begins to write the dialogue for that day's shoot.[6] Hong also develops close relationships with the actors over alcohol and cigarettes and sometimes shoots certain scenes while the actors are under the influence.[11]
Hong's style has been compared to Eric Rohmer's, and it has even been argued that allusions to Rohmer's films appear in some films directed by Hong.[12]
Personal life

In 2016, Hong was reported to be having an extramarital affair with actress Kim Min-hee, who appeared in his 2015 film, Right Now, Wrong Then.[13] Hong admitted to the affair in March 2017, at the Seoul premiere of On the Beach at Night Alone. He filed a divorce suit from his wife in December 2016, but the court rejected his request in June 2019, insisting that only the injured party, Hong's wife, could initiate a legal separation.[14][15]
Filmography
Feature films
Year | Film | Credited as | Notes | |||||
---|---|---|---|---|---|---|---|---|
Director | Writer | Producer | Cinematographer | Editor | Composer | |||
1996 | The Day a Pig Fell into the Well | Yes | Yes | No | No | No | No | |
1998 | The Power of Kangwon Province | Yes | Yes | No | No | No | No | |
2000 | Virgin Stripped Bare by Her Bachelors | Yes | Yes | No | No | No | No | |
2002 | On the Occasion of Remembering the Turning Gate | Yes | Yes | No | No | No | No | |
2004 | Woman Is the Future of Man | Yes | Yes | No | No | No | No | |
2005 | Tale of Cinema | Yes | Yes | Yes | No | No | No | |
2006 | Woman on the Beach | Yes | Yes | No | No | No | No | |
2008 | Night and Day | Yes | Yes | No | No | No | No | |
2009 | Like You Know It All | Yes | Yes | No | No | No | No | |
2010 | Hahaha | Yes | Yes | Executive | No | No | No | |
Oki's Movie | Yes | Yes | No | No | No | No | ||
2011 | The Day He Arrives | Yes | Yes | Executive | No | No | No | |
2012 | In Another Country | Yes | Yes | Yes | No | No | No | |
2013 | Nobody's Daughter Haewon | Yes | Yes | Yes | No | No | No | |
Our Sunhi | Yes | Yes | No | No | No | No | ||
2014 | Hill of Freedom | Yes | Yes | No | No | No | No | |
2015 | Right Now, Wrong Then | Yes | Yes | No | No | No | No | |
2016 | Yourself and Yours | Yes | Yes | No | No | No | No | |
2017 | On the Beach at Night Alone | Yes | Yes | Yes | No | No | No | |
Claire's Camera | Yes | Yes | Yes | No | No | No | ||
The Day After | Yes | Yes | Yes | No | No | Yes | ||
2018 | Grass | Yes | Yes | Yes | No | No | No | |
Hotel by the River | Yes | Yes | Yes | No | No | No | ||
2020 | The Woman Who Ran | Yes | Yes | Yes | No | Yes | Yes | |
2021 | Introduction | Yes | Yes | Yes | Yes | Yes | Yes | |
In Front of Your Face | Yes | Yes | Yes | Yes | Yes | Yes | Screened in the Cannes premiere | |
2022 | The Novelist's Film | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the Berlin International Film Festival |
Walk Up | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the 2022 Toronto International Film Festival | |
2023 | In Water | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the Berlin International Film Festival |
In Our Day | Yes | Yes | Yes | Yes | Yes | Yes | World premiere at the Cannes Film Festival[16] |
Short films
Year | Film | Segment | Credited as | ||||
---|---|---|---|---|---|---|---|
Director | Writer | Producer | Cinematographer | Editor | |||
2009 | Jeonju Digital Project: Visitors | Lost in the Mountains | Yes | Yes | No | No | No |
2011 | List | — | Yes | Yes | No | No | No |
2013 | Venice 70: Future Reloaded | 50:50 | Yes | Yes | No | No | No |
2021 | Hong Sangsoo — Winner of the Silver Bear for Best Screenplay | — | Yes | Yes | Yes | Yes | Yes |
2021 | Letter to the New York Film Festival | — | Yes | Yes | Yes | Yes | Yes |
Awards
National awards
- 1996 17th Blue Dragon Film Awards: Best New Director (The Day a Pig Fell into the Well)
- 1996 16th Korean Association of Film Critics Awards: Best New Director (The Day a Pig Fell into the Well)
- 1998 19th Blue Dragon Film Awards: Best Director; Best Screenplay (The Power of Kangwon Province)
- 2000 1st Busan Film Critics Awards: Best Screenplay (Virgin Stripped Bare by Her Bachelors)
- 2006 9th Director's Cut Awards: Best Director (Woman on the Beach)
- 2008 28th Korean Association of Film Critics Awards: Best Screenplay (Night and Day)
- 2010 19th Buil Film Awards: Best Director (Hahaha)
- 2013 14th Busan Film Critics Awards: Special Jury Prize (Our Sunhi)
- 2014 23rd Buil Film Awards: Best Director (Our Sunhi)
- 2015 2nd Wildflower Film Awards: Best Director, Narrative Films (Hill of Freedom)
- 2017 Busan Film Critics Awards: Grand Prize (On the Beach at Night Alone)
- 2017 Busan Film Critics Awards: Grand Prize (The Day After)
- 2018 5th Wildflower Film Awards: Best Director, Narrative Films (The Day After)
- 2022 Busan Film Critics Awards : Grand Prize (In Front of Your Face)[17]
International awards
- 1996 15th Vancouver International Film Festival: Dragons and Tigers Award (The Day a Pig Fell into the Well)
- 1997 42nd Asia Pacific Film Festival: Best New Director (The Day a Pig Fell into the Well)
- 1997 International Film Festival Rotterdam: Tiger Award (The Day a Pig Fell into the Well)
- 1999 Singapore International Film Festival: NETPAC-FIPRESCI Special Mention (The Power of Kangwon Province)
- 1999 Santa Barbara International Film Festival: Burning Vision Award (The Power of Kangwon Province)
- 2000 45th Asia Pacific Film Festival: Best Screenplay (Virgin Stripped Bare by Her Bachelors)
- 2000 13th Tokyo International Film Festival: Special Jury Prize (Virgin Stripped Bare by Her Bachelors)
- 2002 47th Asia Pacific Film Festival: Best Director (On the Occasion of Remembering the Turning Gate)
- 2003 Seattle International Film Festival: Emerging Masters Showcase Award
- 2007 22nd Mar del Plata International Film Festival: Best Director (Woman on the Beach)
- 2010 63rd Cannes Film Festival: Prix Un Certain Regard (Hahaha)
- 2011 40th International Film Festival Rotterdam: Return of the Tiger Award (Oki's Movie)
- 2013 66th Locarno International Film Festival: Best Director (Our Sunhi)
- 2015 68th Locarno International Film Festival: Golden Leopard (Right Now, Wrong Then)
- 2016 64th San Sebastián International Film Festival: Best Director (Yourself and Yours)
- 2017 Jerusalem Film Festival: Best International Film (On the Beach at Night Alone)
- 2017 LA Film Festival: World Fiction Award (On the Beach at Night Alone)
- 2018 Gijón International Film Festival: Winner (Hotel by the River)
- 2018 Gijón International Film Festival: Best Screenplay (Hotel by the River)
- 2020 70th Berlin International Film Festival: Silver Bear for Best Director (The Woman Who Ran)
- 2021 71st Berlin International Film Festival: Silver Bear for Best Screenplay (Introduction)[18]
- 2021 Gijón International Film Festival: Special Jury Award (In Front of Your Face)
- 2022 72nd Berlin International Film Festival: Silver Bear Grand Jury Prize (The Novelist's Film)[19]
Notes
- Honors are given at the Korean Popular Culture and Arts Awards, arranged by the Korea Creative Content Agency and hosted by the Ministry of Culture, Sports and Tourism.[20][21] They are awarded to those who have contributed to the arts and South Korea's pop culture.[22]
References
- Shin Su-ji (18 November 2016). "Director Files for Divorce Over May–September Romance". Chosunilbo. Retrieved 16 April 2022.
- "Director Hong Sang-soo fails to settle divorce, going to court". Hancinema.net. 20 December 2016. Retrieved 16 April 2022.
- "칸영화제 초청받은 洪常秀감독". Yonhap news agency (in Korean). 20 April 1998.
- Carew, Anthony (2015). "Expectedly unexpected: Repetition and understatement in the films of Hong Sang-Soo". Metro Magazine: Media & Education Magazine (186): 82–87. ISSN 0312-2654. OCLC 7128543000.
- "Alum's Film Wins Top Prize at Jerusalem Film Festival". School of the Art Institute of Chicago. Retrieved 21 March 2020.
- Lopate, Phillip (7 December 2017). "The Discreet Charm of Hong Sang-soo". The New York Review of Books. Retrieved 19 November 2019.
- ""Hill of Freedom"". SFFILM. Retrieved 6 March 2020.
- Rapold, Nicolas (17 May 2017). "Films of Hong Sang-soo Capture Pleasures and Pratfalls of Attraction". The New York Times. Retrieved 19 November 2019.
- Meza, Ed (29 February 2020). "'There Is No Evil' Wins Golden Bear at Berlin Film Festival". Variety. Retrieved 3 March 2020.
- Lattanzio, Ryan (16 February 2022). "Berlin Film Festival 2022 Awards: 'Alcarràs' Wins Golden Bear, Claire Denis, Hong Sang-soo Take Top Prizes". IndieWire. Retrieved 18 February 2022.
- Marshall, Colin (11 June 2013). "The Films of Sangsoo Hong". Quarterly Conversation. Retrieved 19 November 2019.
- Marco Grosoli, "Moral Tales from Korea: Hong Sang-Soo and Eric Rohmer", Acta Universitatis Sapientiae, Film and Media Studies 3 (2010), 95–108.
- Kim, Kristen Yoonsoo (26 April 2019). "In the Maze of Love: Hong Sang-soo and Kim Min-hee's Intricate Tales of Romance". The Nation. ISSN 0027-8378. Retrieved 11 February 2020.
- "Court dismisses filmmaker Hong Sang-soo's divorce suit". Korea Times. 14 June 2019. Retrieved 11 February 2020.
- Agent France Press (14 June 2019). "Film Director Cannot Divorce Wife Over Affair, Rules Court". NDTV.com. Retrieved 11 February 2020.
- Frater, Patrick (18 April 2023). "Hong Sang-soo's Directors Fortnight Closing Film 'In Our Day' Picked up by Finecut (EXCLUSIVE)". Variety. Retrieved 19 April 2023.
- Lee Jung-min (29 November 2022). "제23회 부산영화평론가협회상 대상에 '당신얼굴 앞에서" ['In front of your face' at the 23rd Busan Film Critics Association Awards] (in Korean). Yonhap News. Retrieved 29 November 2022 – via Naver.
- "Korean director Hong Sang-soo wins best screenplay for 'Introduction' at Berlin film fest". Korea Times. 5 March 2021. Retrieved 7 March 2021.
- Lee Jae-hoon (17 February 2022). "홍상수, 베를린영화제 4번째 은곰상…김민희 "감동적"(종합)" [Hong Sang-soo, the 4th Silver Bear Award at the Berlin Film Festival... Kim Min-hee "Inspiring" (Comprehensive)]. Newsis (in Korean). Naver. Retrieved 17 February 2022.
- Hicap, Jonathan (18 October 2018). "BTS, Red Velvet win at Korean Popular Culture and Arts Awards". Manila Bulletin. Archived from the original on 18 October 2018. Retrieved 31 May 2021.
- Yeo, Yer-im (25 October 2018). "BTS gets award upon their return home". Yonhap News Agency. Archived from the original on 7 November 2018. Retrieved 31 May 2021 – via Korea JoongAng Daily.
- Lee, Sang-won (25 October 2016). "Korean Popular Culture and Arts Awards announces winners". The Korea Herald. Archived from the original on 29 September 2018. Retrieved 31 May 2021.
- 대중문화예술상 2011년 [2011 Popular Culture and Arts Awards]. Korea Creative Content Agency (in Korean). Archived from the original on 12 July 2020. Retrieved 31 May 2021.