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Portal:Speculative fiction/Horror

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Horror fiction is a genre of fiction in any medium intended to scare, unsettle and horrify the audience. Historically, the cause of the "horror" experience has often been the intrusion of a disturbing supernatural element into everyday human experience. Since the 1960s, any work of fiction with a morbid, gruesome, surreal, or exceptionally suspenseful or frightening theme has come to be called "horror". Horror fiction often overlaps science fiction or fantasy, all three categories of which are sometimes placed under the umbrella classification speculative fiction.

Haunting is sometimes used as a plot device in horror fiction and paranormal-based fiction. Legends about haunted houses have long appeared in literature. For example, the Arabian Nights tale of "Ali the Cairene and the Haunted House in Baghdad" revolves around a house haunted by djinns. The influence of the Arabian Nights on modern horror fiction is certainly discernible in some of the work of H. P. Lovecraft.

Achievements in horror fiction are recognized by numerous awards. The Horror Writer's Association presents the Bram Stoker Awards for Superior Achievement, named in honor of Bram Stoker, author of the seminal horror novel Dracula. The Australian Horror Writers Association presents annual Australian Shadows Awards. The International Horror Guild Award was presented annually to works of horror and dark fantasy from 1995 to 2008. Other important awards for horror literature are as subcategories included within general awards for fantasy and science fiction in such awards as the Aurealis Award.

Zombies are a popular feature in many horror works.

Selected horror profile

A photograph of Robert E. Howard taken in 1934.
Robert Ervin Howard (January 22, 1906 – June 11, 1936) was an American author who wrote pulp fiction in a diverse range of genres. He is regarded as the father of the Sword and Sorcery genre and he created, amongst other characters, Conan the Cimmerian. Howard created Conan the Barbarian, in the pages of the Depression-era pulp magazine Weird Tales, a character whose pop-culture imprint has been compared to such icons as Tarzan, Count Dracula, Sherlock Holmes, and James Bond.

Howard was born and raised in the state of Texas. He spent most of his life in the town of Cross Plains with some time spent in the nearby Brownwood. A bookish and intellectual child, he was also a fan of boxing and spent some time in his late teens bodybuilding, eventually taking up amateur boxing himself. From the age of nine he dreamed of becoming a writer of adventure fiction but did not have real success until he was twenty-three. He was published in a wide selection of magazines, journals and newspapers but his main outlet was the pulp magazine Weird Tales.

He was successful in several genres and was on the verge of publishing his first novel when he committed suicide at the age of thirty.

Selected horror work

The Pit and the Pendulum is a 1961 horror film directed by Roger Corman, starring Vincent Price, Barbara Steele, John Kerr, and Luana Anders. The screenplay by Richard Matheson was based on Edgar Allan Poe’s short story of the same name. Set in 16th century Spain, the story is about a young Englishman who visits a forbidding castle to investigate his sister's mysterious death. After a series of horrific revelations, apparently ghostly appearances and violent deaths, the young man becomes strapped to the titular torture device by his lunatic brother-in-law during the film's climactic sequence.

The film was the second title in the popular series of Poe-based movies released by American International Pictures, the first having been Corman’s House of Usher released the previous year. Like House, the film features widescreen cinematography by Floyd Crosby, sets designed by art director Daniel Haller, and a film score composed by Les Baxter. A critical and box office hit, Pit's commercial success convinced AIP and Corman to continue adapting Poe stories for another six films, five of them starring Price. The series ended in 1965 with the release of The Tomb of Ligeia.

Film critic Tim Lucas and writer Ernesto Gastaldi have both noted the film’s strong influence on numerous subsequent Italian thrillers, from Mario Bava’s The Whip and the Body (1963) to Dario Argento’s Deep Red (1975). Stephen King has described one of Pit’s major shock sequences as being among the most important moments in the post-1960 horror film.

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