The Foundations

The Foundations were a British soul band. The group's background was: West Indian, White British and Sri Lankan. Their 1967 debut single "Baby Now That I've Found You" reached number one in the UK and Canada, and number eleven in the US, while their 1968 single "Build Me Up Buttercup" reached number two in the UK and number three on the US Billboard Hot 100. The group was the first multi-racial group to have a number one hit in the UK in the 1960s.[1]

This article is about the UK soul band. For other uses, see Foundation (disambiguation).

The Foundations
OriginLondon, England
Genres
Years active1966–1971
LabelsPye, Castle, Uni
Past memberssee Personnel

The Foundations were one of the few British acts to successfully imitate what became known as the Motown Sound. The Foundations signed to Pye, at the time one of only four big UK record companies (the others being EMI, which included the HMV, Columbia and Parlophone labels, Decca, and Philips, which also owned Fontana).[2]

Origins

The Foundations attracted much interest and intrigue due to the size and structure of the group. Not only was there a diverse ethnic mix in the group, but there was also diversity in ages and musical backgrounds. The oldest member of the group, Mike Elliott, was 38 years old. The youngest was Tim Harris, who, at 18, was barely out of school. The West Indian horn section consisted of Jamaican-born Mike Elliott and Pat Burke, both saxophonists and Dominican-born Eric Allandale on trombone. They were all highly experienced musicians who came from professional jazz and rock-and-roll backgrounds. Mike Elliott had played in various jazz and rock and roll bands including Tubby Hayes and Ronnie Scott,[3] the Cabin Boys (led by Tommy Steele's brother, Colin Hicks), and others. Pat Burke, a professional musician, was from the London Music Conservatorium. Eric Allandale had led his own band at one stage as well as having played with Edmundo Ros and was a former member of the Terry Lightfoot[4] and Alex Welsh bands. Alan Warner was the guitarist. Bassist Peter Macbeth was a former teacher. Tony Gomez, the keyboard player, was a former clerk, while Clem Curtis had been an interior decorator and professional boxer.

There is some disagreement as to who was responsible for choosing the band's name, and various sources give slightly different accounts of their beginnings. One version is that they were originally called The Ramong Sound,[5][6] or The Ramongs, and there were two lead singers, Clem Curtis and Raymond Morrison aka Ramong Morrison. When Raymond was imprisoned for six months, a friend of the band suggested future Psychedelic shock rocker Arthur Brown.[7]

The Foundations came together in Bayswater, London, in January 1967. They practised and played in a basement club called the Butterfly Club, which they ran.[8]

Career

1960s

The biography on AllMusic stated that Barry Class was the first to discover them,[1] although others claim it was Ron Fairway.[9]

When they were at the top spot with "Baby, Now That I've Found You", Fairway commented to Melody Maker that most managements would have pulled them out of the "bargain priced dates" that had been booked for some time. He expressed gratitude to everyone for their support, and said that they would fulfill every engagement for which they had signed.[3]

Not long after "Baby, Now That I've Found You" became a hit, rock historian Roger Dopson describes what followed as a "behind the scenes struggle",[3] where Fairway was "pushed out" and his partner, Barry Class, remained as sole manager of the group. Fairway later attempted to sue the band, alleging that he was wrongfully dismissed, though the band said that he had resigned of his own accord.[10] Dopson also noted that Fairway also leaked a story to the media saying that the Foundations had broken up which only served to keep the Foundations name in the news headlines.[3] [11] The day Tony Macaulay came to hear them play, he was suffering from what he described as the worst hangover of his life. The band was playing so loud he could not judge how good they were, but he decided to give them a chance.[3] He would later comment in the book, 1000 UK No. 1 Hits by Jon Kutner and Spencer Leigh, that he woke up that morning with a stinking headache, and when he got to the studio and heard the Foundations, he thought they were pretty terrible. He decided his hangover was to blame, and so he gave them the benefit of the doubt.[12]

At first, they found progress quite slow, and one of their sax players, Pat Burke, had to drop out of the band and take another job while they went through a rough patch. He did rejoin them again later in 1967.[13] [14]

They were noticed by Brian Epstein, who added them to the roster of his NEMS Agency, but the contract became void when he died.[15]

When "Baby Now That I've Found You" was first released it went nowhere. Luckily, the BBC's newly founded BBC Radio 1 was looking to avoid any records being played by the pirate radio stations and looked back at some recent releases that the pirate stations had missed. "Baby, Now That I've Found You" was one of them. The single then took off and, by November, was number one in the UK Singles Chart.[2] This was the ideal time because of the soul boom that was happening in The UK since 1965 and, with American R&B stars visiting the country, interest and intrigue in the Foundations was generated. Their second single, released in January 1968, "Back on My Feet Again", did not do as well but made it to No. 18 in the UK,[2] and No. 29 in Canada. Also in January 1968, they were invited to put down some tracks for John Peel's radio show. One of the tracks that they laid down was a cover of ? and the Mysterians garage classic "96 Tears".[16][17] On the same day, PP Arnold was in the studio with Dusty Springfield and Madeline Bell as her backing vocalists.[16]

The Foundations did tour the United States after their first hit and they toured 32 states with Big Brother and the Holding Company, Maxine Brown, Tim Buckley, Solomon Burke, The Byrds, The Crazy World of Arthur Brown and The Fifth Dimension.[18]

Around this time, after the release of their second single, tensions developed between the band and their songwriter/producer, Tony Macaulay. He would not allow them to record any of their own songs.[1] In an interview, the band's organ player, Tony Gomez, told the New Musical Express (NME) in an interview that he, Peter MacBeth, and Eric Allandale had some ideas that they wanted to put together. Curtis later recalled that Macaulay was a problem. "Tony Macaulay was very talented, but could be difficult to get on with. When we asked to record some of our own material – just as B sides, we weren't after the A side – he called us 'ungrateful' and stormed out of the studio."[3] The group felt that Macaulay had reined in their "real" sound, making them seem more pop-oriented than they were.[1] Tony Macaulay was later to recall, "I was never close to the Foundations. I couldn't stand them, and they hated me! But the body of work we recorded was excellent."[3]

A third single, also released in 1968 "Any Old Time (You're Lonely and Sad)", reached No. 48.[2]

Original vocalist Curtis left in 1968, because he felt that a couple of the band's members were taking it a bit too easy, thinking that because they had now had a hit, they did not have to put in as much effort as they had previously.[1] Saxophonist Mike Elliott also left around this time and was never replaced. Curtis hung around and helped them audition a replacement singer. They auditioned 200 singers. It was reported in a NME article in 1968 that Curtis while being interviewed at a festival had mentioned that they were trying out Warren Davis to replace him. He said he would not leave the band until they found a replacement. He had become friendly with Sammy Davis Jr. and was encouraged to try his luck in the United States. He moved to the United States for a solo career on the club circuit, encouraged by the likes of Wilson Pickett and Sam & Dave, playing Las Vegas with The Righteous Brothers. His successful replacement was Colin Young.

With Young the band had two more big hits; "Build Me Up Buttercup" which was their third hit in January 1969 and "In the Bad Bad Old Days (Before You Loved Me)" which was a hit in April 1969,[2] and reached No. 23 in Canada 5 May that year.

At the height of their popularity, the Foundations management were in negotiations with a UK TV company for a television series that would star members of the band. They had turned down a number of offers to appear in films because of script unsuitability.[19]

Bassist Peter Macbeth left the band in 1969, to join the group Bubastis with Bernie Living,[20][21] and was replaced by Steve Bingham.

1970s

After a successful run of hits, the Foundations broke off with their management and a Bill Graham-sponsored tour to support The Temptations at the newly opened Copacabana club. This ended up in disaster and the band came back to the UK in low spirits. It had been previously reported in a publicity sheet around early December 1969 that the band had broken away from their manager Barry Class, during the week of their departure from Barry Class, another bass player Tony Collinge joined the band. Jim Dawson who was formerly their agent and Mike Dolan took over the group's affairs.[22] The group's final hits were "Born to Live, Born to Die" which was written by Eric Allandale and Tony Gomez.[23] and "My Little Chickadee", a US only hit which barely made the hot 100. Another member joined the band in 1970. Paul Lockey who had been with Robert Plant in Band of Joy joined as their bass guitarist.[24]

"My Little Chickadee" proved to be the band's last hit. In spite of releasing "Take a Girl Like You", the title song to the Oliver Reed and Hayley Mills film, and a heavy blues rock song "I'm Gonna Be a Rich Man", the band split in late 1970.[25]

The last record released in the early 1970s as "The Foundations" was a single "Stoney Ground" b/w "I'll Give You Love" MCA MCA 5075 1971.[26] There would be two more singles released as "The Foundations" in the mid to late 1970s.

When Curtis returned to the UK, he formed a new version of the group with little success in spite of releasing several singles, but later had a lucrative spell on the 1960s nostalgia circuit. Re-formed members include John Springate,[27] Derek "Del" Watson, Paul Wilmot (all members of the band Elegy) and Roy Carter who later on joined Heatwave.[28]

Also in the 1970s, there would be a collaborative attempt between two former members of the Foundations. Original Foundations trombonist Eric Allandale attempted to work with original Foundations drummer Tim Harris.[29]

In the mid-1970s, while Clem Curtis and the Foundations were on the road, there was also another Foundations line-up that was led by Colin Young who were touring at the same time, and were playing basically the same material. This eventually led to court action which resulted in Curtis being allowed to bill his group as either the Foundations or Clem Curtis & the Foundations. Young was allowed to bill himself as "The New Foundations", or as "Colin Young & the New Foundations".[3]

Also in the mid-1970s, Young and his group, The New Foundations, released a lone single on Pye, "Something for My Baby" / "I Need Your Love".[3] There were actually two more singles released in the late 1970s as the Foundations. They were "Where Were You When I Needed Your Love" / "Love Me Nice and Easy" and "Closer to Loving You" / "Change My Life" on the Summit and Psycho labels.[30] These featured Curtis as the lead singer.

Various sources erroneously state that there was an early 1970s English line-up that had nothing, or little to do with, the original Foundations. However, Curtis has been leading a new line-up of the Foundations since coming back to the UK and re-forming the group in the early 1970s.

1980s-present

There was another line-up formed in 1999 that included Young (vocals), Alan Warner (Guitar), Steve Bingham (bass), Gary Moberly (keyboards), Tony Laidlaw (sax) and Sam Kelly then Steve Dixon (drums). This version of the group was re-formed due to the popularity of the film There's Something About Mary, and the interest created resulting from the 1968 hit "Build Me Up Buttercup" being featured in the film. Some time later, Young left this version of the group and was replaced by Hue Montgomery (aka Hugh Montgomery).

Eric Allandale died on 23 August 2001, aged 65.

Tim Harris died in 2007.

Clem Curtis died on 27 March 2017 at age 76, from lung cancer.[31]

Personnel

Guests
  • Mike D'Abo: piano – b. Michael David D'Abo, 1 March 1944, Betchworth, Surrey. Co-wrote and guested on "Build Me Up Buttercup" contributing piano.
  • John Mcleod: piano

Clem Curtis and The Foundations
  • Clem Curtis: vocals
  • James Colah: keyboards
  • Michael J. Parlett: saxophone
  • Alan Warner: guitar[3]
  • Roy Carter: bass guitar[28]
  • George Chandler: backing vocals
  • Valentine Pascal: electric guitar

1970s line-up
  • Clem Curtis: Vocals
  • Bill Springate: guitar
  • John Springate: Vocals
  • Del Watson: Bass
  • Paul Wilmot: Drums
  • John Paul: ?[34]
  • Marcus Williams: Keyboards

1977 line-up
  • Clem Curtis: Vocals
  • Leroy Carter
  • John Savile
  • Valentine Pascal
  • Georges Delanbanque[35]

Discography

UK original albums
  • From the Foundations - Pye NSPL 18206 - 1967
  • Rocking the Foundations - Pye NSPL 18227 - 1968 (live album)
  • Digging the Foundations - Pye NSPL 18290 – 1969

UK compilation albums
  • The Foundations – Marble Arch MALS 1157–1968
  • Golden Hour of the Foundations (Greatest Hits) – GH 574 – 1973
  • Back to the Beat – PRT DOW7 – 1983
  • Best Of – PRT PYL 4003–1987

UK EPs 7"

  • "It's All Right" – Pye NEP24297 – 1968
  • "Mini Monster" – Pye PMM.103

UK EPs 12"

  • "Baby, Now That I've Found You" – Pye Big Deal BD 107 – (4 tracks)
  • "Baby, Now That I've Found You" – PRT Pyt 24 – 1989 – (3 tracks incl remix)

UK CDs

  • Golden Hour of the Foundations – Knight Records KGH CD 104 – 1990
  • Strong Foundations – The Singles and More – Music Club – MCCD 327 – 1997
  • Build Me Up Buttercup – Castle Select SELCD 527 – 1998
  • Baby, Now That I've Found You – Sequel Records – NEECD 300 – 1999
  • Build Me Up Buttercup (The Complete Pye Collection) [Remastered] – Castle – 2004

US albums
  • Baby Now That I've Found You – Uni 3016 (Mono)/73016 (Stereo) — 1967
  • Build Me Up Buttercup – Uni 73043 – 1968 – US No. 92[36]
  • Digging the Foundations – Uni 73058 – 1969
  • The Very Best Of – Varèse Sarabande 74648 – 2017

Singles
Year Title Peak chart positions Certifications
UK
[2]		 AUS
[37]		 CAN
 IRE
 NLD
[38]		 NZ
[39]		 US Hot 100
[36]		 US R&B
[36]
1967 "Baby Now That I've Found You" 1 21 1 3 13 16 11 33
1968 "Back on My Feet Again" 18 — 29 18 32 — 59 —
"Any Old Time (You're Lonely and Sad)" 48 — — — — 20 — —
"Build Me Up Buttercup" 2 1 1 3 12 4 3 —
1969 "In the Bad Bad Old Days (Before You Loved Me)" 8 — 23 7 — 20 51 —
"Born to Live, Born to Die" 46 — — — — — — —
"My Little Chickadee" — — 68 — — — 99 —
"Baby, I Couldn't See" — — — — — — — —
1970 "Take a Girl Like You" — — — — — — — —
"I'm Gonna Be a Rich Man" — — — — — — — —
1971 "Stoney Ground" — — — — — — — —
1977 "Where Were You When I Needed Your Love" — — — — — — — —
1978 "Closer to Loving You" — — — — — — — —
1998 "Build Me Up Buttercup" (UK re-release) 71 — — — — — — —
"—" denotes releases that did not chart or were not released in that territory.

References
  1. Bruce Eder. "The Foundations | Biography". AllMusic. Retrieved 30 January 2014.
  2. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 209. ISBN 1-904994-10-5.
  3. Inlay notes to Baby Now That I've Found You CD, Sequel Records NEECD 300
  4. Archived 18 October 2008 at the Wayback Machine
  5. "Biography | Look at the sky, See how to fly; The Original Pluto rock band". Pluto-rockband.com. Retrieved 30 January 2014.
  6. "Down and out-Pluto". 27 January 2009. Archived from the original on 12 December 2021. Retrieved 30 January 2014 – via YouTube.
  7. "Music Kaleidoscope: 5/1/08 – 6/1/08". Musickaleidoscope.blogspot.com. Retrieved 30 January 2014.
  8. Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. pp. 220–221. ISBN 0-214-20512-6.
  9. "The Foundations". Alan-warner.com. Retrieved 28 March 2017.
  10. "Foundations Sued". NME. 2 December 1967.
  11. Rawlings, Terry (2002). Then, now and rare British beat 1960–1969 (illustrated ed.). UK: Omnibus Press. p. 82. ISBN 978-0711990944.
  12. "Shaynezucker". shaynezucker.com. Retrieved 30 January 2014.
  13. NME, Foundations Revive British Soul Scene (1st ed.). UK. 1967. p. 4.
  14. NME Originals Vol 2 Issue 2, Foundations Revive British Soul Scene (1st ed.). UK. April 2005. p. 81.
  15. Clayson, Alan (1998). Build Me Up Buttercup, Castle Select SELCD 527 (1st ed.). UK: Castle Select. p. 4.
  16. Heatley, Michael. Strong Foundations – The Singles And More, Music Club MCCD 327 (1st ed.). UK: Music Club.
  17. "Radio 1 - Keeping It Peel - 08/01/1968 The Foundations". BBC. 14 January 1968. Retrieved 30 January 2014.
  18. Jon Kutner (26 May 2010). 1000 UK Number One Hits. p. 324. ISBN 9780857123602. Retrieved 28 March 2017.
  19. Billboard – Google Books. 26 April 1969. Retrieved 30 January 2014.
  20. Archived 26 October 2009 at the Wayback Machine
  21. "A TRIBUTE TO JAMES JAMERSON by Pete Macbeth". Philbrodieband.com. 2 February 1943. Retrieved 30 January 2014.
  22. Tony Brainsby Publicity Ltd (circa) December 1969 (1st ed.). UK: Tony Brainsby. 1969. p. 1.
  23. "Born to Live and Born to Die - The Foundations | Listen, Appearances, Song Review". AllMusic. 11 September 2001. Retrieved 30 January 2014.
  24. "Band of Joy | Birmingham Music Archive". Birminghammusicarchive.co.uk. 30 March 2010. Retrieved 30 January 2014.
  25. Archived 28 August 2008 at the Wayback Machine
  26. "F r e e U K – FreeUK Broadband". Jbpco.freeuk.com. Retrieved 30 January 2014.
  27. "John Springate". Alwynwturner.com. Retrieved 30 January 2014.
  28. "Home". Terrellissacs.net. Retrieved 30 January 2014.
  29. Val Wilmer (21 September 2001). "Eric Allandale: Powerful trombone master of jazz and pop". The Guardian. Retrieved 26 April 2009.
  30. "The Foundations Discography – UK". 45cat. Retrieved 30 January 2014.
  31. "Foundations singer Clem Curtis dies aged 76". BBC News. 1 January 1970. Retrieved 27 March 2017.
  32. Rice, Jo (1982). The Guinness Book of 500 Number One Hits (1st ed.). Enfield, Middlesex: Guinness Superlatives Ltd. p. 112. ISBN 0-85112-250-7.
  33. "Who'd be a state school teacher? – Education News – Education". The Independent. 28 December 1995. Archived from the original on 18 June 2022. Retrieved 30 January 2014.
  34. "Photos". Billspringate.com. 1 January 1968. Retrieved 30 January 2014.
  35. "A Song For Europe 1976 1977". Songs4europe.com. 9 March 1977. Retrieved 30 January 2014.
  36. "The Foundations - Awards". AllMusic. Archived from the original on 30 November 2012. Retrieved 15 November 2022.
  37. "Songs from the Year 1967". Tsort.info. Retrieved 30 September 2016.
  38. Steffen Hung. "The Foundations – Born To Live, Born To Die". dutchcharts.nl. Retrieved 17 February 2014.
  39. "Flavour of New Zealand : NZ Listener chart summary". Flavourofnz.co.nz. Retrieved 29 March 2017.
  40. "Foundations - Build Me Up Buttercup". bpi.co.uk. Retrieved 15 November 2022.
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