Armenian architecture
Armenian architecture comprises architectural works with an aesthetic or historical connection to the Armenian people. It is difficult to situate this architectural style within precise geographical or chronological limits,[1] but many of its monuments were created in the regions of historical Armenia, the Armenian Highlands.[2] The greatest achievement of Armenian architecture is generally agreed to be its medieval churches and seventh century churches, though there are different opinions precisely in which respects.
![]() ![]() ![]() ![]() ![]() ![]() From top to bottom: Saint Stepanos Monastery of Julfa (12th century); Church of the Holy Apostles in Ani (c. 9th century); Aghtamar cathedral (c. 8th century); Etchmiadzin cathedral and its Dome (4th century); Monastery of Geghard (13th century); and Kumayri historic district (19th century) | |
| Years active | c. 3rd millennium BC – present |
|---|---|
Common characteristics of Armenian architecture


Medieval Armenian architecture, and Armenian churches in particular, have several distinctive features, which some believe to be the first national style of a church building.[3]
Common characteristics include:
- Pointed domes, reminiscent of the volcanic cone of Greater Ararat. The conical or semiconical radially segmented dome or cupola is mounted above vaulted ceilings on a cylindrical drum (usually polygonal on the outside, most often octagonal)[4]
- The vertical emphasis of the whole structure, with the height often exceeding the length of a church[4]
- Reinforcement of the verticality with tall, narrow windows[4]
- Stone vaulted ceilings
- Composed almost entirely of stone, usually volcanic tuff or basalt.
- A composite roof composed of finely cut tuff shingles
- Frescoes and carvings, if present, are usually ornate and include swirling intertwining grapevines and foliage.
- Heavy use of tall structural arches, both for supporting the cupola as part of the drum, the vaulted ceiling, and the vertical walls.
- Roofs intersecting to support the dome, both in basilicas and centrally planned churches.
- Sculptural decoration of external walls, including figures.
Classification of Armenian churches
![]() ![]() ![]() ![]() ![]() ![]() From top to bottom: Sanahin Monastery; Haghartsin Monastery; Haghpat Monastery; Goshavank; Tatev Monastery; Noravank |

Within the bounds of the aforementioned common characteristics, individual churches display considerable variation which may reflect time, place, and the creativity of its designer. Toros Toramanian distinguished the following classical styles while studying these variations in the early 20th century:[4]
| Style | Armenian nomenclature | Example |
|---|---|---|
| Basilica | Bazilik (Բազիլիկ) | Ererouk |
| Domed basilica | Gmbetakir bazilik (Գմբեթակիր բազիլիկ) | Tekor Basilica |
| Cruciform | Etchmiadznatip (Էջմիածնատիպ; literally "Etchmiadzin-type") | Etchmiadzin Cathedral |
| Vertical-emphasis rectangular | Oughghagitz karankiun (Ուղղագիծ քառանկյուն) | Saint Gayane Church |
| Radial | Sharavighayin (Շառավիղային) | Saint Hripsime |
| Circular | Zvartnotsatip (Զվարթնոցատիպ; literally "Zvartnots-type") | Zvartnots |
Construction

Armenian architecture, as it originates in an earthquake-prone region, tends to be built with this hazard in mind. Armenian buildings tend to be rather low-slung and thick-walled in design. Armenia has abundant resources of stone, and relatively few forests, so stone was nearly always used throughout for large buildings. Small buildings and most residential buildings were normally constructed of lighter materials, and hardly any early examples survive, as at the abandoned medieval capital of Ani.

The stone used in buildings is typically quarried all at the same location, in order to give the structure a uniform color. In cases where different color stone are used, they are often intentionally contrasted in a striped or checkerboard pattern.[3] Powder made out of ground stone of the same type was often applied along the joints of the tuff slabs to give buildings a seamless look.[3] Unlike the Romans or Syrians who were building at the same time, Armenians never used wood or brick when building large structures.
Armenian architecture employs a form of concrete[3] to produce sturdy buildings,. It is a mixture of lime mortar, broken tuff, and rocks around which forms a core against which thin slabs of tuff are arranged in brickwork fashion. As the wet mortar mixture dries it forms a strong concrete-like mass sealed together with the tuff around it and, due to tuff's properties, it becomes harder with time. Initially, almost no core was used in the construction of churches, stone blocks were simply sealed together, but as architects saw how those with mortar cores withstood tremors, the size of the core expanded. Frescos of marble or another stone were often affixed to the side of these buildings, usually at a later date.
History of Armenian architecture
The gradual development of Armenian architecture.
Pre-Christian Armenia
During the third millennium B.C, prehistoric Armenian architecture was already distinctive. The most common feature was its groundwork, which incorporated many geometrical shapes, ultimately forming a cell shape. An example of such architecture can be found in Kültəpə, near Nakhchivan. These buildings were approximately 6–7 metres wide and about 5 metres high.[5]
Urban architectural traditions, and other forms of art in the years before Christ continued to develop and later were influenced by Greco-Roman art.[6] Urartian architecture is known for its use of intricately cut rocks, used as foundations for mud brick buildings, usually constructed in a compact manner (such as in Erebuni).

Urartian temples had massive stone walls at lower levels and a relatively small interior space, usually square, and rose high; they were generally placed at the highest point of a site. Higher levels were in mud brick, which has not survived, and it is not fully clear how appeared. The late Temple of Garni of the 1st century AD, in a fully Hellenistic style, is the only pagan monument left in any sort of complete state in Armenia, as many others were destroyed or converted to Christian places of worship under Tiridates III of Armenia.[7] Garni includes local elements of sacred numerology and geometry. The temple has a column to inter column ratio of 1/3 (1 is the primary number of the universe and 3 is the holiest of all numbers as it represents the Greco-Roman triad Jupiter, Juno and Minerva). Aside from being aesthetically beautiful, Garni's design can be seen as being a reaffirmation of the universal laws that governed man's destiny. The angles, number of columns, and dimensions were created with a careful eye; Armenian pagans wanted to appease the gods and protect humanity from their wrath. This sacred geometry is evident in the entire temple. To the people who created it, it was the perfect embodiment of their communion with the universe. Note that although sacred geometry was mostly used in religious buildings, secular buildings adopted some aspects of it.[8]
Pre-Christian and Christian structures
- Vishapakars
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Vishapakar in Armenia Ethnography Museum
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Vishapakar in Metsamor

- Stone sculptures of horses and sheep
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Tombstone in the form of a ram in the Armenian cemetery of Jugha (Julfa)
Tombstone in the form of a ram in the Armenian cemetery of Jugha (Julfa)
Tombstone in the form of a ram in the Armenian cemetery of Jugha (Julfa)
Tombstone in the form of a ram in the Armenian cemetery of Jugha (Julfa)
Stone sheep sculpture in Sardarapat Museum
Stone sheep sculpture in Sisian
Stone sheep sculpture in Sisian
Stone sheep sculpture in Sisian
Stone sheep sculpture in Zolakar


10th century BC – 1st century BC
Horom Citadel, Bronze Age
Haykaberd, 1st millennium BC
Musasir, 825 BC
The Van Citadel, 9th century BC
Erebuni Fortress, 782 BC
Odzaberd, 735–713 BC
Teishebaini, Between 650 and 600 BC
Argishtikhinili, 8th and 6th centuries BC
Kumayri historic district, 5th century BC
Artaxata, 176 BC
Tigranakert of Artsakh, 2nd–1st century BC
Mount Nemrut, 1st century BC
Christian Armenia


Christianity's institution as Armenia's official religion in 301 allowed new developments in Armenian architecture, which nevertheless preserved older traditions.[6] In fact it would be almost impossible to find any religion that rose completely on its own without borrowing some traditions from the past. Exploring Armenian churches is critical to our understanding of Medieval Armenia. Beyond that, the Armenian churches describe us the general landscape of the Christian East at a time when eyewitness accounts were exceedingly rare. In their messages of authenticity and legitimacy, the churches shaped and preserved public memory, negotiating among diverse linguistic, religious, political, and ethnic groups.[9]
The first Armenian churches were built on the orders of St. Gregory the Illuminator, and were often built on top of pagan temples, and imitated some aspects of Armenian pre-Christian architecture.[8]
Gallery 4th–7th century

Aghperig Monastery, 300
4th century Amaras Monastery near Sos
4th century Katarovank close to Hin Tagher
Saint Hripsime Church (Vermashen), 4th century
Baghaberd, 4th century
Saint Thomas Monastery of Agulis, 4th century

Monastery of Saint Translators, 4th–5th century
Kasagh Basilica, 4th–5th century
Mesrop Mashtots Monastery, Nasirvaz, 456
Vorotnaberd, 5th century
Tsrviz Chapel, 5th century
Karmir Monastery, 5th century
Tsiranavor Church, 5th century

Tekor Basilica, end of 5th century

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Saint Gevorg church in Irind, 6th century
Saint John Church of Sohrol, 5th century or 6th century
St. George Church, Sverdlov, 6th century
Saint Hripsime Church (Aygedzor), 6th century
Bagavan church, 613–619.jpg.webp)
Saint Gayane Church, 630
Cathedral of Mren, 631–639
Ruins of Zvartnots Cathedral, 641–652
Varagavank, 653
Bana cathedral, 653–658
Gharghavank, 661–685
Targmanchats monastery, Aygeshat, 6th–7th century
Ptghnavank, 6th century or 7th century
Talin Cathedral, 7th century
Aruchavank, 7th century
7th century Vankasar Church near Tigranakert
Church of Saint John, Mastara, 7th century
Khtzkonk Monastery, 7th century
Karmravor Church, 7th century
Saint George's Church, mid-7th century
Holy Mother of God Church, Voskepar 7th century
Saint Christopher Monastery, 7th century
Artavazik Church, 7th century
St. Thaddeus Church, Ddmashen, 7th century
Lmbatavank, 7th century
Aghitu tomb, 7th century
Ateni Sioni Church, 7th century
8th–14th century
Kirants Monastery, 8th century
Sevanavank, 874

Kotavank, 9th century
Dashtadem Fortress, 9th century
Khokhanaberd, 9th century
Handaberd, 9th century
Holy Saviour's monastery of Yerazgavors, end of 9th century
Kachaghakaberd, 9th century
Tatev Monastery, 895–906
Vanevan Monastery, 903
Vahanavank, 911
Cathedral of Kars 930–967
Gndevank, 931–936
Sanahin Monastery, 957–966
Haghpat Monastery, 976–991
Cathedral of Ani, 989–1001
Kakavaberd,9th–10th century
Bjni Fortress, 9th–10th century
Holy Saviour Monastery of Julfa, 9th–10th century
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Tmkaberd, 10th century
Horomos, 10th century
Berdavan Fortress, 10th century
Surp Hovhannes Church, Byurakan, 10th century
Tsaghats Kar Monastery, 10th century
Karmravank, 10th century
Arakelots Monastery, Kirants, 10th century
Surb Nshan Monastery, 10th century.
Marmashen Monastery, 988–1029
Vorotnavank, 1000.
King Gagik's church of St Gregory, Ani, 1001–1020
Vahramashen Church, 1026
Kecharis Monastery, 1033
Bgheno-Noravank, 1062
Meghri Fortress, 1083
Eghegnamor Monastery,10th century–11th century
Neghuts Monastery,10th century or 11th century
Goshavank, 1191–1196
Surp Hovhannes Church, 7th–12th century
Hnevank, 7th–12th century
Mashtots Hayrapet Church of Garni, 12th century.jpg.webp)
Jukhtak Vank, 12th century
Castle of Kars, 1153
Kobayr monastery, 1171
Lori Fortress, 1177
Tejharuyk Monastery, 1196–1199
Hayravank Monastery,9th–12th century
St. Hakob-Hayrapet Church, Shurud, 12th century
Harichavank Monastery, 1201
Hogevank Monastery, 1205
Geghard, 1215
St Gregory of Tigran Honents, Ani, 1215
Gandzasar Monastery, 1216–1238
Hovhannavank, 1216
Saghmosavank, 1215–1221
Gtichavank, 1241–1246
Matosavank,1247
Cathedral of Arapgir, 1249
Saint George's Church, 1251 or earlier
Saint Marianeh Church, Ashtarak, 1271

Tanahat Monastery, 8th–13th century
Makenyats Vank,9th–13th century
Horomayr Monastery, 10th–13th century


Yeghipatrush Church, 10th–13th century
Khuchap Monastery, 12th–13th century
Kusanats Anapat, 12th–13th century
Samsonavank Monastery, 12th–13th century
Aghjots Vank, 13th century
Levonkla, 13th century
Caravanserai of Zor, 13th century
Spitakavor Church of Ashtarak, 13th century
Tanahat Monastery, 13th century
Ertij Fort, 13th century
Proshaberd, 13th century
Church of Saint Elia, Kizkale, 13th century
Krtsanis Tsiranavor Surp Astvatsatsin, 13th century
Bodrumkale, 13th century
Holy Mother of God Church, Yeghvard, 1301
Lim Island, 1305
Saint Thaddeus Monastery, 1319–1329
Areni Church, 1321
Spitakavor Monastery, 1321–1330
Orbelian's Caravanserai, 1332
Noravank, 1339
St. Astvatsatsin Monastery (Channab), 1349
Ganchvor monastery, 1364
Armenian Cathedral of Lviv, 1363–1370
Nor Varagavank, 13th–14th century
Mayravank, 7th–14th century
Kosh Fortress, 14th century
Vank Monastery, 14th century
15th–18th century

Forty Martyrs Cathedral, 1491
Ktuts monastery, 15th century
Armenian monastery of Suceava, 15th century
St. Kristapor Church, Yukhari Aylis, 15th century
Norashen Church, 1507
Chapel of Chupan, 1518
St. Georg Church, 1611
Bedkhem Church, 1627
St. Nicholas Church, New Julfa, 1630
Hoşap Castle, 1649
Vank Cathedral, 1655–1664
Khor Virap, 1661
Saint Gevork Monastery of Mughni, 1661–1669
Saint Hakob Church of Kanaker, 1679
Red Bridge, 1679
Gethsemane Chapel, 1690s
Surp Astvatsatsin Church, 1338–1693
Shoghakat Church, 1694.jpg.webp)
The Holy Mother of God Church, 1695
Kond, 17th century
Saint Karapet Church, 1705
Surb Nshan Church, 1703–1711
St. Mary's Church, 1718
Jigrashen Avetyats Church, 1624 or 1729
Church of Saint George, 1753
Church of the Red Gospel, 1775
Saint Catherine's Armenian Church, 1771–1776
Holy Resurrection Church, 1781
Saint Mary Church of Tabriz, 1785
Kamoyants Saint Gevork Church, 1727 or 1788
Church of the Ascension, 1790
Holy Cross Church, 1786–1792
Church of St. Gevorg (Sighnaghi), 1793
St. George's Church, 1795
Saint George Church of Tehran, 1795
Church of the Holy Mother of God, Darashamb, 18th century
St. Sarkis Church (Ashtarak, Aragatsotn, Armenia), 18th century
Surp Gevork Church, Noragavit, 18th century
Togh's Melikian Palace, 18th century
19th–20th century

Tatevi Anapat, 18th–19th century.
Nor Ejmiatsin Church, 1806–1809
Surp Yerrortutyun Armenian Catholic Church, 1836
Saint Sarkis Cathedral, 1842
Church of the Holy Mother of God, 1848
Saint Minas Church of Tehran, 1856
Surp Krikor Lusavoriç Armenian Church, Kuzguncuk, 1861
Armenian Church, Baku, 1863–1869
Lower Bethlehemi Church, 1868–1870
Church of John the Baptist, 1870
Church of the Holy All-Savior, 1860–1871
Holy Saviour's Church, 1858–1872
Gevorgian Seminary, 1874
Saint Mesrop Mashtots Church, 443–1879
St. Karapet's Church, 1881
Saint John the Baptist Church, 1883
Cathedral of the Holy Mother of God, 1873–1884
Church of St. George of Samatya, 1866–1887
Ghazanchetsots Cathedral, 1868–1887
Taksim Surp Harutyun Church, 1895
Church of Christ the Savior, 1895
Church of the Holy Virgin (Baku), 19th century
Saint Gregory the Illuminator Church, 1900
St. Astvatsatsin Church, 1902–1905
Saint Hripsime Church of Yalta, 1905
Saint Thaddeus and Bartholomew Cathedral, 1910
Church of Surp Hakob, 1967–1969
St. Mary Armenian Apostolic Church, 1983
St. Sarkis Church, 1998
Khachkar
Khachkars in Talin Cathedral, 9th century
Mughni Church, 986Khachkar
Goris, 991
Vagharshapat, 996
Haghpat Monastery, 1023
1056
Khachkar of Queen Sophie, 1081
Vagarshapat, 1148
Sanahin, 1184
Aprank, 1194
Holy Mother of God Church, Vagharshapat, 1200
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1210
Haghpat Monastery 1211
1211
Geghard Monastery, 1213
Sanahin, 1215
Haghpat Monastery, 1220
Vagharshapat, 1233
1251
Sanahin, 1262
Geghard Monastery, 1263
1271
1271
Haghpat Monastery, 1273
Etchmiadzin Cathedral, 1279
Geghard Monastery, 1283
Dadivank, 1283
1285
Goshavank Khachkar, carved in 1291 by the artist Poghos
1298


Armenian-inscribed double khachkars of the Memorial Bell-Tower of the Dadivank Monastery
A 15th century khachkar at the Armenian Cathedral of Saint James, Jerusalem
Periods in Armenian architecture
Classical and Medieval Armenian architecture is divided into four separate periods.[3]
The formative period

The first Armenian churches were built between the 4th and 7th century, beginning when Armenia converted to Christianity, and ending with the Arab invasion of Armenia. The early churches were mostly simple basilicas, but some with side apses. By the 5th century the typical cupola cone in the center had become widely used. By the 7th century, centrally-planned churches had been built and a more complicated niched buttress and radiating Hrip'simé style had formed. By the time of the Arab invasion, most of what we now know as classical Armenian architecture had formed.[10]
Bagratid revival

From the 9th to 11th century, Armenian architecture underwent a revival under the patronage of the Bagratid dynasty with a great deal of building done in the area of Lake Van, this included both traditional styles and new innovations. Ornately carved Armenian khachkars were developed during this time.[7] Many new cities and churches were built during this time, including a new capital at Lake Van and a new Cathedral on Akdamar Island to match. The Cathedral of Ani was also completed during this dynasty. It was during this time that the first major monasteries, such as Haghpat and Haritchavank were built. This period was ended by the Seljuk invasion.
Monasteries flourish
From the 12th to 14th century under the Zakarid dynasty saw an explosion in the number of monasteries built, including Saghmosavank Monastery, the Akhtala monastery, Kaymaklı Monastery, Kecharis Monastery and Makaravank Monastery. Monasteries were institutes of learning, and much of medieval Armenian literature was written in this time period. The invasion of Timurlane and the destruction of Cilician Armenia ended architectural progression from another 250 .
Seventeenth century
The last great period in classic Armenian construction was under the Iranian Safavid Shahs, under which a number of new churches were built, usually at existing holy sites such as Etchmiadzin as well as in diaspora communities like New Julfa.[3]
Nineteenth century
Armenian architecture experienced a huge stage of development during the 19th century, when the Russians entered Eastern Armenia. A number of architectural masterpieces were built in the Kumayri historic district of Alexandropol and Yerevan, as well in Kars, which is now a part of the Republic of Turkey.
The Armenian buildings of that time were mainly made of black tuff, therefore those buildings were mainly of black color.
Modern times
One of the most prolific architects of Armenian architectural monuments in the 20th century was Baghdasar Arzoumanian. Based in Yerevan, Armenia, he was the author of a great number of civil and church buildings along with other designs. The legendary architects of the 20th century were Alexander Tamanyan, Rafael Israyelyan, G. Kochar, E. Tigranyan, S. Safaryan, etc. Today the masters of Armenian architecture are S.Gurzadyan, S. Kalashyan, L. Khristaforyan, R. Asratyan etc.
Devastation of Armenian architecture

As a result of Anti-Armenianism, relics of Armenia's past such as churches, cemeteries and khachkars in neighboring countries have been subject to devastation. In certain cases such as in Turkey or Azerbaijan, this had been as a result of national campaigns to eradicate traces of the Armenian people to thwart any potential claims by the Armenian state.
The largest collection in the world was formerly to be found at the ruins of Old Jugha in Nakhichevan (today's Azerbaijan). Reports (see RFE/RL) and photographs from observers in Iranian territory emerged at the end of 2005 showing Azeri soldiers making deliberate attempts to destroy the gravestones. More recent photographs have revealed that the entire graveyard has been obliterated and a military training ground has been constructed on the site.[11]
Armenian architecture in the diaspora
The tumultuous past of Armenia over the last millennium has resulted in the formation of an extensive Armenian Diaspora in various corners of the globe. Armenian communities seeking to keep the traditions of their homeland, influenced the architectural vernacular of Armenian Quarters in cities such as Zamość and Lviv. This influence is most evident in the sacred architecture of churches built by the Armenian community, where designs based on historic landmarks such as the cathedrals of Ani, Zvartnots and Etchmiadzin have been used as inspirational templates to construct these structures in their new surroundings. This tradition still continues into the present day as Armenian immigration has shifted away from the traditional areas of outmigration in Europe and the Middle East into the Americas and Australia.
Khachkars have also become additional signifiers of Armenian identity and have been erected in recent year in cities such as Wrocław, Kraków, Elbląg in Poland, Novi Sad in Serbia, Beirut in Lebanon as well as in Dearborn, Michigan.
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Church of the Nativity, 325–565.
20th century secular buildings in Armenia
- 20th century
National Assembly (1918).
Yerevan State University in 1968, (1919).
Yerevan State Medical University in 1960s, (1920).
Yerevan opera house by A. Tamanyan in 1951, (1926–1939).
Unevermag of Yerevan (1935).
Moscow Cinema (1936)..jpg.webp)
The Victory Bridge, Yerevan on Hrazdan River (1945).
Pak Suka in 1968, (1952).
Matenadaran (1920–1959).
Tsitsernakaberd (1967).
Erebuni Museum (1968).
Yerevan Youth Palace (1970).
Republic Square, Yerevan by A.Tamanyan in 1953, (1926–1977).
Komitas Chamber Music House (1977).
Yerevan Cascade (1971–1980).
Karen Demirchyan Complex (1983).
- Buildings
Residential building with Armenian decoration in Yerevan







Nairi Cinema
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21st century buildings in Armenia
Saint Gregory the Illuminator Cathedral, 1997–2001
Holy Trinity Church, 2001–2003
Church of St. Nerses the Great, 2004 .
Saint Anna Church, 2011–2014
COAF SMART center in the village of Debet, Lori province.
Holy Mother of God Cathedral, 2006–2019
UNESCO designated World Heritage Sites

Armenian cross-stones art and Symbolism and craftsmanship of Khachkars, listed to UNESCO intangible world heritage site. The following is a list of World Heritage Sites designed or constructed by Iranians, or designed and constructed in the style of Armenian architecture:
- Incide Armenia
- Haghpat Monastery and Sanahin Monastery
- Etchmiadzin cathedral, Saint Hripsime Church, Saint Gayane Church, Shoghakat Church, Zvartnots Cathedral in Vagarshapat
- Geghard monastery
- Outside Armenia
- Church of the Holy All-Savior of Derbent in Russia
- Ani in Turkey
- Ani Cathedral in Turkey
- The church of the Holy Redeemer in Turkey
- The church of St Gregory of the Abughamrents in Turkey
- St Gregory of Tigran Honents in Turkey
- Monastery of the Hripsimian Virgins in Turkey
- King Gagik's church of St Gregory in Turkey
- St. Thaddeus Monastery in Iran
- Saint Stepanos Monastery in Iran
- Chapel of Dzordzor in Iran
- Chapel of Chupan in Iran
- Church of the Holy Mother of God, Darashamb in Iran
Gallery
Examples of Armenian religious architecture
Armenia
The Holy Trinity Church (2003) modeled after Zvartnots Cathedral, in the Malatia-Sebastia district of Yerevan
The Saint Gregory of Narek Cathedral (2005) in Vanadzor, Armenia
Azerbaijan
13th century Gandzasar monastery, near Vank village
4th century Amaras Monastery near Sos village
7th century Vankasar Church near Tigranakert
4th century Katarovank close to Hin Tagher village


Tsitsernavank, near Tsitsernavank village
Yerits Mankants Monastery, near Jraberd
12th-century Holy Mother of God Church, Hunarli, Azerbaijan
Iran
Turkey
Khtzkonk Monastery in Kars
Elsewhere in Western Asia

The Holy Mother of God Cathedral (1940) at the Catholicossate of the Great House of Cilicia in Antelias, Lebanon
Holy Cross Church (Sourp Nshan) in downtown Beirut, Lebanon, adjacent to the Grand Serail
Holy Mother of God Church (Sourp Asdvadzadzin) at the Armenian Seminary in Bikfaya, Lebanon.jpg.webp)
The belfry of the Forty Martyrs Armenian Cathedral of Aleppo erected in 1912

Interior of St. Gregory The Illuminator Church of Cairo
North America
St. Paul's Armenian Apostolic Church, (1908).
Holy Trinity Armenian Apostolic Church (1914) in Fresno, California
Saint Paul Armenian Church (1979) in Fresno, California
The Saint Gregory the Illuminator Armenian Catholic Church (2001) in Glendale, California
St Gregory Armenian Church in Springfield, Massachusetts,USA
Russia
Holy Transfiguration Cathedral, Moscow
Singapore
Armenian Church, Singapore, (1836).
See also
- Armenian art
- Armenian church architecture
- Armenian Khachkars
- Armenian Palaces
- Armenian Union of Architects
- Children of Armenia Fund
- Research on Armenian Architecture
- Tumo Center for Creative Technologies
References
- Patrick Donabédian, Jean-Michel Thierry, "Armenian Art", New York, 1989, pp. 29–30
- Vazken Lawrence Parsegian, 1996
- Architecture, Arts of Armenia (c) Dr. Dickran Kouymjian , Armenian Studies Program, California State University, Fresno Archived December 31, 2008, at the Wayback Machine
- Armen, Garbis (1992), An Architecture of Survival, p. 71, ISBN 0-9695988-0-7
- History of Armenian Architecture: Volume 1
- "Architecture of Armenia – Tourist Guide: Tourism Armenia". Archived from the original on 2018-09-26. Retrieved 2007-06-18.
- Armenia, Past and Present; Elisabeth Bauer, Jacob Schmidheiny, Frederick Leist , 1981
- Sacred Geometry and Armenian Architecture | Armenia Travel, History, Archeology & Ecology | TourArmenia | Travel Guide to Armenia
- "Building churches in Armenia: art at the borders of empire and the edge of the canon | Art Bulletin, The | Find Articles at BNET.com". Archived from the original on 2008-01-27. Retrieved 2007-06-18.
- Edwards, Robert W., "Armenia" (2016). The Eerdmans Encyclopedia of Early Christian Art and Archaeology, ed., Paul Corby Finney. Grand Rapids, Michigan: William B. Eerdmans Publishing. pp. 119–122. ISBN 978-0-8028-9016-0.
{{cite book}}: CS1 maint: multiple names: authors list (link) - "Azerbaijan famous medieval cemetery vanishes". Archived from the original on 2014-02-17. Retrieved 2012-12-30.
Bibliography
- Armen, Garbis (1992), An Architecture of Survival, ISBN 0-9695988-0-7
External links
- Armenian Historical Monuments Archived 2015-09-23 at the Wayback Machine presented by the Research on Armenian Architecture organization
- Arts of Armenia:Architecture, a chapter in a book by Dickran Kouymjian of Cal State University, Fresno
- Index of Armenian Art: Armenian Architecture, a listing and details of Armenian architecture grouped by classification
- Pictorial Gallery of Armenian Architecture
- Armenian Architecture Collection of the Rensselaer Digital Collections, part of Rensselaer Polytechnic Institute (includes monasteries in Western Armenia)
- Armenian Architecture in Turkey and the City of Ani
- Armenian Architectures and Its Protection in Turkey
- Cilician Armenian Architecture


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