Portal:1950s

The 1950s Portal

Top, L-R: U.S. Marines engaged in street fighting during the Korean War, circa late September 1950; The first polio vaccine is developed by Jonas Salk.
Centre, L-R: US tests its first thermonuclear bomb with code name Ivy Mike in 1952. A 1954 thermonuclear test, code named Castle Romeo, is shown here; In 1959, Fidel Castro overthrows Fulgencio Batista in the Cuban Revolution, resulting in the creation of the first communist government in the Western hemisphere; Elvis Presley becomes the leading figure of rock and roll in the mid-1950s.
Bottom, L-R: Smoke rises from oil tanks on Port Said following the invasion of Egypt as part of the Suez Crisis in late 1956; French paratroopers march in Algiers in the beginning of the Algerian War, 1957; The Soviet Union launches Sputnik 1, the first artificial satellite to orbit the earth, in October 1957.

The 1950s (pronounced nineteen-fifties; commonly abbreviated as the "Fifties" or the "'50s") (among other variants) was a decade that began on January 1, 1950, and ended on December 31, 1959.

Throughout the decade, the world continued its recovery from World War II, aided by the post-World War II economic expansion. The period also saw great population growth with increased birth rates and the emergence of the baby boomer generation.

Despite this recovery, the Cold War developed from its modest beginnings in the late 1940s to a heated competition between the Soviet Union and the United States by the early 1960s. The ideological clash between communism and capitalism dominated the decade, especially in the Northern Hemisphere (Full article...)

1950s Topics:

Selected article -

  NATO and   Warsaw Pact states during the Cold War-era

The Cold War was a period of geopolitical tension between the United States and the Soviet Union and their respective allies, the Western Bloc and the Eastern Bloc. The term cold war is used because there was no large-scale fighting directly between the two superpowers, but they each supported opposing sides in major regional conflicts known as proxy wars. The conflict was based on the ideological and geopolitical struggle for global influence by these two superpowers, following their temporary alliance and victory against Nazi Germany and Imperial Japan in 1945. Aside from the nuclear arsenal development and conventional military deployment, the struggle for dominance was expressed via indirect means such as psychological warfare, propaganda campaigns, espionage, far-reaching embargoes, rivalry at sports events, and technological competitions such as the Space Race.

The Western Bloc was led by the United States as well as a number of other First World nations that were generally liberal democratic but tied to a network of often Third World authoritarian states, most of which were the European powers' former colonies. The Eastern Bloc was led by the Soviet Union and its Communist Party, which had an influence across the Second World and was also tied to a network of authoritarian states. The Soviet Union had a command economy and installed similarly totalitarian regimes in its satellite states. The US government supported anti-communist and right-wing governments and uprisings across the world, while the Soviet government funded left-wing parties and revolutions around the world. As nearly all the colonial states achieved independence in the period from 1945 to 1960, many became Third World battlefields in the Cold War. (Full article...)
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1950s films -

These are Good articles, which meet a core set of high editorial standards.
  • Image 1Parasakthi (transl. The Supreme Goddess; pronounced [paɾaːsakti]) is a 1952 Indian Tamil-language drama film directed by Krishnan–Panju and written by M. Karunanidhi. The film stars V. C. Ganesan, S. V. Sahasranamam, S. S. Rajendran, Sriranjani Jr., and Pandari Bai. It is the cinematic acting debut of Ganesan and Rajendran. Based on Pavalar Balasundaram's play of the same name, Parasakthi narrates the misfortunes that befall the members of a Tamil family during World War II.Central Studios initially planned on creating a film based on the Parasakthi play and T. S. Natarajan's play En Thangai; however, the idea was dropped after Natarajan objected. The film rights of Parasakthi were later bought by P. A. Perumal of National Pictures, with the patronage of A. V. Meiyappan. The soundtrack was composed by R. Sudarsanam, cinematography was handled by S. Maruti Rao, and Panju edited the film under the alias "Panjabi". Filming began in mid-1950, but took over two years to complete (Full article...)
    Parasakthi (transl. The Supreme Goddess; pronounced [paɾaːsakti]) is a 1952 Indian Tamil-language drama film directed by Krishnan–Panju and written by M. Karunanidhi. The film stars V. C. Ganesan, S. V. Sahasranamam, S. S. Rajendran, Sriranjani Jr., and Pandari Bai. It is the cinematic acting debut of Ganesan and Rajendran. Based on Pavalar Balasundaram's play of the same name, Parasakthi narrates the misfortunes that befall the members of a Tamil family during World War II.

    Central Studios initially planned on creating a film based on the Parasakthi play and T. S. Natarajan's play En Thangai; however, the idea was dropped after Natarajan objected. The film rights of Parasakthi were later bought by P. A. Perumal of National Pictures, with the patronage of A. V. Meiyappan. The soundtrack was composed by R. Sudarsanam, cinematography was handled by S. Maruti Rao, and Panju edited the film under the alias "Panjabi". Filming began in mid-1950, but took over two years to complete (Full article...)
  • Image 2Godzilla, King of the Monsters! (Japanese: 怪獣王ゴジラ, Hepburn: Kaijū Ō Gojira) is a 1956 kaiju film directed by Terry O. Morse and Ishirō Honda, with special effects by Eiji Tsuburaya. It is a heavily re-edited American localization, or "Americanization", of the 1954 Japanese film Godzilla. The film was a Japanese-American co-production, with the original footage produced by Toho Co., Ltd., and the new footage produced by Jewell Enterprises. The film stars Raymond Burr, Takashi Shimura, Momoko Kōchi, Akira Takarada, and Akihiko Hirata, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, an American reporter covers a giant reptilian monster's attack on Japan.In 1955, Edmund Goldman acquired the 1954 film from Toho and enlisted the aid of Paul Schreibman, Harold Ross, Richard Kay, and Joseph E. Levine to produce a revised version for American audiences. This version dubbed most of the Japanese dialogue into English, and altered and removed key plot points and themes. New footage was produced with Burr interacting with body-doubles and Japanese-American actors in an attempt to make it seem like Burr was part of the original Japanese production. (Full article...)
    Godzilla, King of the Monsters! (Japanese: 怪獣王ゴジラ, Hepburn: Kaijū Ō Gojira) is a 1956 kaiju film directed by Terry O. Morse and Ishirō Honda, with special effects by Eiji Tsuburaya. It is a heavily re-edited American localization, or "Americanization", of the 1954 Japanese film Godzilla. The film was a Japanese-American co-production, with the original footage produced by Toho Co., Ltd., and the new footage produced by Jewell Enterprises. The film stars Raymond Burr, Takashi Shimura, Momoko Kōchi, Akira Takarada, and Akihiko Hirata, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, an American reporter covers a giant reptilian monster's attack on Japan.

    In 1955, Edmund Goldman acquired the 1954 film from Toho and enlisted the aid of Paul Schreibman, Harold Ross, Richard Kay, and Joseph E. Levine to produce a revised version for American audiences. This version dubbed most of the Japanese dialogue into English, and altered and removed key plot points and themes. New footage was produced with Burr interacting with body-doubles and Japanese-American actors in an attempt to make it seem like Burr was part of the original Japanese production. (Full article...)
  • Image 3Madhumati is a 1958 Indian Hindi-language paranormal romance film directed and produced by Bimal Roy, and written by Ritwik Ghatak and Rajinder Singh Bedi. The film stars Vyjayanthimala and Dilip Kumar in lead roles, with Pran and Johnny Walker in supporting roles. The plot focuses on Anand, a modern man who falls in love with a tribal woman named Madhumati. But they face challenges in their relationship finally leading to a paranormal consequence. It was ranked 11th in the Outlook Magazine's 25 leading Indian directors' poll for selecting Bollywood's greatest films in 2003.Madhumati was filmed in various Indian locations, including Ranikhet, Ghorakhal, Vaitarna Dam and Aarey Milk Colony. The soundtrack album was composed by Salil Chowdhury and the lyrics were written by Shailendra. The film was released on 12 September 1958. It earned ₹40 million in India and became the highest-grossing Indian film of the year, and one of the most commercially successful and influential Indian films of all time. It received highly positive reviews from critics, who praised the techniquality, soundtrack and the performance of the cast. (Full article...)
    Madhumati is a 1958 Indian Hindi-language paranormal romance film directed and produced by Bimal Roy, and written by Ritwik Ghatak and Rajinder Singh Bedi. The film stars Vyjayanthimala and Dilip Kumar in lead roles, with Pran and Johnny Walker in supporting roles. The plot focuses on Anand, a modern man who falls in love with a tribal woman named Madhumati. But they face challenges in their relationship finally leading to a paranormal consequence. It was ranked 11th in the Outlook Magazine's 25 leading Indian directors' poll for selecting Bollywood's greatest films in 2003.

    Madhumati was filmed in various Indian locations, including Ranikhet, Ghorakhal, Vaitarna Dam and Aarey Milk Colony. The soundtrack album was composed by Salil Chowdhury and the lyrics were written by Shailendra. The film was released on 12 September 1958. It earned ₹40 million in India and became the highest-grossing Indian film of the year, and one of the most commercially successful and influential Indian films of all time. It received highly positive reviews from critics, who praised the techniquality, soundtrack and the performance of the cast. (Full article...)
  • Image 4Theatrical release posterThe Incredible Shrinking Man is a 1957 American science fiction film directed by Jack Arnold based on Richard Matheson's 1956 novel The Shrinking Man. The film stars Grant Williams as Scott and Randy Stuart as Scott's wife Louise. While relaxing on a boat, Scott is enveloped by a strange fog. Months later, he discovers that he appears to be shrinking. By the time Scott has reached the height of a small boy, his condition becomes known to the public. When he learns there is no cure for his condition, he lashes out at his wife. As Scott shrinks to the point he can fit into a doll house, he has a battle with his family cat, which leaves him lost and alone in his basement, where he is now smaller than the average insect.The film's storyline was expanded by Matheson after he had sold the story to Universal-International Pictures Co., Inc. He also completed the novel upon which the film is based while production was under way. Matheson's script was written in flashbacks, and Richard Alan Simmons rewrote it using a more conventional narrative structure. Director Jack Arnold initially wanted Dan O'Herlihy to play Scott. O'Herlihy turned down the role, leading Universal to sign Williams to star in the lead. Filming began on May 31, 1956. Scenes involving special effects were shot throughout production, while others used the large sets of Universal's back lot. Production went over budget, and filming had to be extended; certain special effects shots required reshooting. Williams was constantly being injured on set. (Full article...)
    Theatrical release poster

    The Incredible Shrinking Man is a 1957 American science fiction film directed by Jack Arnold based on Richard Matheson's 1956 novel The Shrinking Man. The film stars Grant Williams as Scott and Randy Stuart as Scott's wife Louise. While relaxing on a boat, Scott is enveloped by a strange fog. Months later, he discovers that he appears to be shrinking. By the time Scott has reached the height of a small boy, his condition becomes known to the public. When he learns there is no cure for his condition, he lashes out at his wife. As Scott shrinks to the point he can fit into a doll house, he has a battle with his family cat, which leaves him lost and alone in his basement, where he is now smaller than the average insect.

    The film's storyline was expanded by Matheson after he had sold the story to Universal-International Pictures Co., Inc. He also completed the novel upon which the film is based while production was under way. Matheson's script was written in flashbacks, and Richard Alan Simmons rewrote it using a more conventional narrative structure. Director Jack Arnold initially wanted Dan O'Herlihy to play Scott. O'Herlihy turned down the role, leading Universal to sign Williams to star in the lead. Filming began on May 31, 1956. Scenes involving special effects were shot throughout production, while others used the large sets of Universal's back lot. Production went over budget, and filming had to be extended; certain special effects shots required reshooting. Williams was constantly being injured on set. (Full article...)
  • Image 5Theatrical release posterThe Screaming Skull is a 1958 independently made American black-and-white horror film, produced by John Kneubuhl and directed by Alex Nicol, starring John Hudson, Peggy Webber, Russ Conway, Tony Johnson, and Nicol. The Screaming Skull marked Nicol's directorial debut; he decided to try it because he felt that he was not acting in the roles which he wanted. The film was distributed by American International Pictures as a double feature in different markets with either Earth vs. the Spider or Terror from the Year 5000.The film's storyline concerns a newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. The simplistic musical score centres on the dies irae. (Full article...)
    Theatrical release poster

    The Screaming Skull is a 1958 independently made American black-and-white horror film, produced by John Kneubuhl and directed by Alex Nicol, starring John Hudson, Peggy Webber, Russ Conway, Tony Johnson, and Nicol. The Screaming Skull marked Nicol's directorial debut; he decided to try it because he felt that he was not acting in the roles which he wanted. The film was distributed by American International Pictures as a double feature in different markets with either Earth vs. the Spider or Terror from the Year 5000.

    The film's storyline concerns a newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. The simplistic musical score centres on the dies irae. (Full article...)
  • Image 6The Long, Hot Summer is a 1958 American drama film starring Paul Newman, Joanne Woodward, Anthony Franciosa, and Orson Welles. It was directed by Martin Ritt, with a screenplay by Irving Ravetch and Harriet Frank Jr., based in part on three works by William Faulkner: the 1931 novella "Spotted Horses", the 1939 short story "Barn Burning" and the 1940 novel The Hamlet. The title is taken from The Hamlet, as Book Three is called "The Long Summer". Some characters, as well as tone, were inspired by Tennessee Williams' 1955 play, Cat on a Hot Tin Roof, a film adaptation of which – also starring Newman – was released five months later.The plot follows the conflicts of the Varner family after ambitious drifter Ben Quick (Newman) arrives in their small Mississippi town. Will Varner (Welles), the patriarch, has doubts about his son, Jody (Franciosa) and sees Ben as a better choice to inherit his position. Will tries to push Ben and his daughter Clara (Woodward) into marriage. (Full article...)
    The Long, Hot Summer is a 1958 American drama film starring Paul Newman, Joanne Woodward, Anthony Franciosa, and Orson Welles. It was directed by Martin Ritt, with a screenplay by Irving Ravetch and Harriet Frank Jr., based in part on three works by William Faulkner: the 1931 novella "Spotted Horses", the 1939 short story "Barn Burning" and the 1940 novel The Hamlet. The title is taken from The Hamlet, as Book Three is called "The Long Summer". Some characters, as well as tone, were inspired by Tennessee Williams' 1955 play, Cat on a Hot Tin Roof, a film adaptation of which – also starring Newman – was released five months later.

    The plot follows the conflicts of the Varner family after ambitious drifter Ben Quick (Newman) arrives in their small Mississippi town. Will Varner (Welles), the patriarch, has doubts about his son, Jody (Franciosa) and sees Ben as a better choice to inherit his position. Will tries to push Ben and his daughter Clara (Woodward) into marriage. (Full article...)
  • Image 7The Quatermass Xperiment (a.k.a. The Creeping Unknown in the United States) is a 1955 British science fiction horror film from Hammer Film Productions, based on the 1953 BBC Television serial The Quatermass Experiment written by Nigel Kneale. The film was produced by Anthony Hinds, directed by Val Guest, and stars Brian Donlevy as the eponymous Professor Bernard Quatermass and Richard Wordsworth as the tormented Carroon. Jack Warner, David King-Wood, and Margia Dean appear in co-starring roles.The film concerns three astronauts who have been launched into space aboard a single-stage-to-orbit rocket designed by Professor Quatermass. It crashlands with only one of its original crew, Victor Carroon (Richard Wordsworth), still aboard. He begins mutating into an alien organism, which, if it spawns, will engulf the Earth and destroy humanity. After Carroon escapes from custody Quatermass and Inspector Lomax (Jack Warner) of Scotland Yard have just hours to track him/it down and prevent a catastrophe. (Full article...)
    The Quatermass Xperiment (a.k.a. The Creeping Unknown in the United States) is a 1955 British science fiction horror film from Hammer Film Productions, based on the 1953 BBC Television serial The Quatermass Experiment written by Nigel Kneale. The film was produced by Anthony Hinds, directed by Val Guest, and stars Brian Donlevy as the eponymous Professor Bernard Quatermass and Richard Wordsworth as the tormented Carroon. Jack Warner, David King-Wood, and Margia Dean appear in co-starring roles.

    The film concerns three astronauts who have been launched into space aboard a single-stage-to-orbit rocket designed by Professor Quatermass. It crashlands with only one of its original crew, Victor Carroon (Richard Wordsworth), still aboard. He begins mutating into an alien organism, which, if it spawns, will engulf the Earth and destroy humanity. After Carroon escapes from custody Quatermass and Inspector Lomax (Jack Warner) of Scotland Yard have just hours to track him/it down and prevent a catastrophe. (Full article...)
  • Image 8Darah dan Doa ([daˈrah ˈdan doˈa]; Indonesian for Blood and Prayer, released internationally as The Long March) is a 1950 Indonesian war film directed and produced by Usmar Ismail, telling the story of the Siliwangi Division and its leader Captain Sudarto on a march to West Java. Following Ismail's Dutch-produced Tjitra (1949), Darah dan Doa is often cited as the first 'Indonesian' film, and the film's first day of shooting – 30 March – is celebrated in Indonesia as National Film Day.Produced on a budget of 350,000 rupiah and intended to be screened at the Cannes Film Festival, financial difficulties led production of Darah dan Doa to almost stop before the director received financial backing. After raising controversy for its subject material, the film underwent censorship and was finally released to commercial failure. Retrospective analysis has, however, been more positive, and Ismail has been dubbed the "father of Indonesian film". (Full article...)
    Darah dan Doa ([daˈrah ˈdan doˈa]; Indonesian for Blood and Prayer, released internationally as The Long March) is a 1950 Indonesian war film directed and produced by Usmar Ismail, telling the story of the Siliwangi Division and its leader Captain Sudarto on a march to West Java. Following Ismail's Dutch-produced Tjitra (1949), Darah dan Doa is often cited as the first 'Indonesian' film, and the film's first day of shooting – 30 March – is celebrated in Indonesia as National Film Day.

    Produced on a budget of 350,000 rupiah and intended to be screened at the Cannes Film Festival, financial difficulties led production of Darah dan Doa to almost stop before the director received financial backing. After raising controversy for its subject material, the film underwent censorship and was finally released to commercial failure. Retrospective analysis has, however, been more positive, and Ismail has been dubbed the "father of Indonesian film". (Full article...)
  • Image 9I Vampiri (lit. The Vampires) is a 1957 Italian horror film. The film was directed by Riccardo Freda and completed by the film's cinematographer, Mario Bava. It stars Gianna Maria Canale, Carlo D'Angelo and Dario Michaelis. The film is about a series of murders on young women who are found with their blood drained. The newspapers report on a killer known as the Vampire, which prompts young journalist Pierre Lantin to research the crimes. Lantin investigates the mysterious Du Grand family who lives in a castle occupied by Gisele Du Grand who is in love with Lantin. She lives with her aunt, who hides her face in a veil, as well as the scientist Julian Du Grand, who is trying to find the secret to eternal youth.The film was developed during a growth in the Italian film industry which allowed for the market to expand beyond a local Italian audience and would allow Italian film makers to explore new genres of filmmaking. Freda made a deal with producers at the Italian film studio Titanus to create a low budget horror film by writing a story in one day and filming it in two weeks. The producers agreed and Freda began filming. On the final day of shooting, Freda left the set which led to the cinematographer Mario Bava to direct the rest of the film, which changed various plot points and added the inclusion of stock footage. (Full article...)
    I Vampiri (lit. The Vampires) is a 1957 Italian horror film. The film was directed by Riccardo Freda and completed by the film's cinematographer, Mario Bava. It stars Gianna Maria Canale, Carlo D'Angelo and Dario Michaelis. The film is about a series of murders on young women who are found with their blood drained. The newspapers report on a killer known as the Vampire, which prompts young journalist Pierre Lantin to research the crimes. Lantin investigates the mysterious Du Grand family who lives in a castle occupied by Gisele Du Grand who is in love with Lantin. She lives with her aunt, who hides her face in a veil, as well as the scientist Julian Du Grand, who is trying to find the secret to eternal youth.

    The film was developed during a growth in the Italian film industry which allowed for the market to expand beyond a local Italian audience and would allow Italian film makers to explore new genres of filmmaking. Freda made a deal with producers at the Italian film studio Titanus to create a low budget horror film by writing a story in one day and filming it in two weeks. The producers agreed and Freda began filming. On the final day of shooting, Freda left the set which led to the cinematographer Mario Bava to direct the rest of the film, which changed various plot points and added the inclusion of stock footage. (Full article...)
  • Image 10The Hideous Sun Demon (sometimes billed as The Sun Demon, or in the UK as Blood on His Lips) is a 1958 American science fiction horror film produced, directed, and cowritten by Robert Clarke, who also starred in the title role. It also stars Patricia Manning, Nan Peterson, Patrick Whyte, and Fred La Porta. The film focuses on a scientist (portrayed by Clarke) who is exposed to a radioactive isotope and soon finds out that it comes with horrifying consequences.The film was inspired by the financial success of The Astounding She-Monster, in which Clarke had starred earlier that year. The crew was made up of University of Southern California film students, while the cast consisted of unknowns in addition to Clarke's family and friends. Shooting took place under three different cinematographers over 12 consecutive weekends. Originally budgeted at $10,000, the film ended up costing $50,000. Distributed by Clarke's own Pacific International Pictures, The Hideous Sun Demon premiered on August 29, 1958 as part of a double bill with Roger Corman's Attack of the Crab Monsters. The film received mostly negative reviews upon its release, but has since become a cult film and has been referenced and parodied many times. An unauthorized sequel, the 1965 short film Wrath of the Sun Demon, was produced by Donald F. Glut. Two redubbed versions of the original film have been released: the comedic Hideous Sun Demon: Special Edition and What's Up, Hideous Sun Demon (also known as Revenge of the Sun Demon), the latter of which was produced with Clarke's permission. (Full article...)
    The Hideous Sun Demon (sometimes billed as The Sun Demon, or in the UK as Blood on His Lips) is a 1958 American science fiction horror film produced, directed, and cowritten by Robert Clarke, who also starred in the title role. It also stars Patricia Manning, Nan Peterson, Patrick Whyte, and Fred La Porta. The film focuses on a scientist (portrayed by Clarke) who is exposed to a radioactive isotope and soon finds out that it comes with horrifying consequences.

    The film was inspired by the financial success of The Astounding She-Monster, in which Clarke had starred earlier that year. The crew was made up of University of Southern California film students, while the cast consisted of unknowns in addition to Clarke's family and friends. Shooting took place under three different cinematographers over 12 consecutive weekends. Originally budgeted at $10,000, the film ended up costing $50,000. Distributed by Clarke's own Pacific International Pictures, The Hideous Sun Demon premiered on August 29, 1958 as part of a double bill with Roger Corman's Attack of the Crab Monsters. The film received mostly negative reviews upon its release, but has since become a cult film and has been referenced and parodied many times. An unauthorized sequel, the 1965 short film Wrath of the Sun Demon, was produced by Donald F. Glut. Two redubbed versions of the original film have been released: the comedic Hideous Sun Demon: Special Edition and What's Up, Hideous Sun Demon (also known as Revenge of the Sun Demon), the latter of which was produced with Clarke's permission. (Full article...)
  • Image 11Nadodi Mannan (transl. The Vagabond King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest.Made on a budget of ₹1.8 million, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
    Nadodi Mannan (transl. The Vagabond King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest.

    Made on a budget of ₹1.8 million, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
  • Image 12Pelli Chesi Choodu (transl. Try to conduct a marriage) is a 1952 Indian satirical comedy film directed by L. V. Prasad and produced by Nagi Reddi and Chakrapani under their company Vijaya Productions. The film was made simultaneously in Telugu and Tamil, the latter titled Kalyanam Panni Paar (transl. Try getting married). It stars N. T. Rama Rao, G. Varalakshmi, Yandamuri Joga Rao and Savitri. S. V. Ranga Rao, Sivarama Krishnayya, Doraswamy, and Suryakantham play supporting roles in the Telugu version while C. V. V. Panthulu replaced Krishnayya in Tamil.Pelli Chesi Choodu deals with the negative effects of the dowry system in India through the marital life of Venkata Ramana (Rama Rao) and Ammadu (Varalakshmi). The film's production began after the release of Vijaya Productions' Pathala Bhairavi (1951). Marcus Bartley was recruited as the cinematographer and the film was edited by C. P. Jambulingam and M. S. Money. Ghantasala composed the film's music. (Full article...)
    Pelli Chesi Choodu (transl. Try to conduct a marriage) is a 1952 Indian satirical comedy film directed by L. V. Prasad and produced by Nagi Reddi and Chakrapani under their company Vijaya Productions. The film was made simultaneously in Telugu and Tamil, the latter titled Kalyanam Panni Paar (transl. Try getting married). It stars N. T. Rama Rao, G. Varalakshmi, Yandamuri Joga Rao and Savitri. S. V. Ranga Rao, Sivarama Krishnayya, Doraswamy, and Suryakantham play supporting roles in the Telugu version while C. V. V. Panthulu replaced Krishnayya in Tamil.

    Pelli Chesi Choodu deals with the negative effects of the dowry system in India through the marital life of Venkata Ramana (Rama Rao) and Ammadu (Varalakshmi). The film's production began after the release of Vijaya Productions' Pathala Bhairavi (1951). Marcus Bartley was recruited as the cinematographer and the film was edited by C. P. Jambulingam and M. S. Money. Ghantasala composed the film's music. (Full article...)
  • Image 13Devadasu is a 1953 Indian romance film directed by Vedantam Raghavayya and produced by D. L. Narayana for Vinodha Pictures. Chakrapani wrote the script based on Sarat Chandra Chattopadhyay's novel, Devdas. C. R. Subbaraman composed the film's music. The film was edited by P. V. Narayanan, while B. S. Ranga provided the cinematography.The film focuses on Devadasu and Parvati, who have been in love since childhood. Devadas' father rejects the proposal from Parvati's family. Parvati's father forces her to marry a middle-aged zamindar. Unable to cope with his failure to win Parvati, Devadas turns into a drunkard, and the rest of the film is about whether or not Devadas meets Parvati again. (Full article...)
    Devadasu is a 1953 Indian romance film directed by Vedantam Raghavayya and produced by D. L. Narayana for Vinodha Pictures. Chakrapani wrote the script based on Sarat Chandra Chattopadhyay's novel, Devdas. C. R. Subbaraman composed the film's music. The film was edited by P. V. Narayanan, while B. S. Ranga provided the cinematography.

    The film focuses on Devadasu and Parvati, who have been in love since childhood. Devadas' father rejects the proposal from Parvati's family. Parvati's father forces her to marry a middle-aged zamindar. Unable to cope with his failure to win Parvati, Devadas turns into a drunkard, and the rest of the film is about whether or not Devadas meets Parvati again. (Full article...)
  • Image 14Theatrical release posterSweet Smell of Success is a 1957 American film noir drama film directed by Alexander Mackendrick, starring Burt Lancaster, Tony Curtis, Susan Harrison, and Martin Milner, and written by Clifford Odets, Ernest Lehman, and Mackendrick from the novelette by Lehman. The shadowy noir cinematography filmed on location in New York City was shot by James Wong Howe. The picture was produced by James Hill of Hecht-Hill-Lancaster Productions and released by United Artists. The supporting cast features Sam Levene, Barbara Nichols, Joe Frisco, Edith Atwater, David White and Emile Meyer. The musical score was arranged and conducted by Elmer Bernstein and the film also features jazz performances by the Chico Hamilton Quintet. Mary Grant designed the costumes.The film tells the story of powerful and sleazy newspaper columnist J.J. Hunsecker (portrayed by Lancaster and based on Walter Winchell) who uses his connections to ruin his sister's relationship with a man he deems unworthy of her. (Full article...)
    Theatrical release poster

    Sweet Smell of Success is a 1957 American film noir drama film directed by Alexander Mackendrick, starring Burt Lancaster, Tony Curtis, Susan Harrison, and Martin Milner, and written by Clifford Odets, Ernest Lehman, and Mackendrick from the novelette by Lehman. The shadowy noir cinematography filmed on location in New York City was shot by James Wong Howe. The picture was produced by James Hill of Hecht-Hill-Lancaster Productions and released by United Artists. The supporting cast features Sam Levene, Barbara Nichols, Joe Frisco, Edith Atwater, David White and Emile Meyer. The musical score was arranged and conducted by Elmer Bernstein and the film also features jazz performances by the Chico Hamilton Quintet. Mary Grant designed the costumes.

    The film tells the story of powerful and sleazy newspaper columnist J.J. Hunsecker (portrayed by Lancaster and based on Walter Winchell) who uses his connections to ruin his sister's relationship with a man he deems unworthy of her. (Full article...)
  • Image 15Ashes and Diamonds (Polish: Popiół i diament) is a 1958 Polish drama film directed by Andrzej Wajda, based on the 1948 novel by Polish writer Jerzy Andrzejewski. Starring Zbigniew Cybulski and Ewa Krzyżewska, it completed Wajda's war films trilogy, following A Generation (1954) and Kanal (1956). The action of Ashes and Diamonds takes place in 1945, shortly after World War II. The main protagonist of the film, former Home Army soldier Maciek Chełmicki, is acting in the anti-Communist underground. Maciek receives an order to kill Szczuka, the local secretary of the Polish Workers' Party. Over time, Chełmicki increasingly doubts if his task is worth doing.Ashes and Diamonds, although based on the novel that directly supported the postwar Communist system in Poland, was subtly modified in comparison with the source material. Wajda sympathized with the soldiers of the Polish independence underground; thus, he devoted most of the attention to Chełmicki. During the three-month development of Ashes and Diamonds, the director made drastic changes to the baseline scenario, thanks to his assistant director Janusz Morgenstern, as well as Cybulski, who played the leading role. The film received permission from the authorities to be distributed only through Andrzejewski's intercession. The film did not receive permission to be screened at the main competition at the Cannes Film Festival. However, Ashes and Diamonds appeared at the Venice Film Festival, where it won the FIPRESCI award. (Full article...)
    Ashes and Diamonds (Polish: Popiół i diament) is a 1958 Polish drama film directed by Andrzej Wajda, based on the 1948 novel by Polish writer Jerzy Andrzejewski. Starring Zbigniew Cybulski and Ewa Krzyżewska, it completed Wajda's war films trilogy, following A Generation (1954) and Kanal (1956). The action of Ashes and Diamonds takes place in 1945, shortly after World War II. The main protagonist of the film, former Home Army soldier Maciek Chełmicki, is acting in the anti-Communist underground. Maciek receives an order to kill Szczuka, the local secretary of the Polish Workers' Party. Over time, Chełmicki increasingly doubts if his task is worth doing.

    Ashes and Diamonds, although based on the novel that directly supported the postwar Communist system in Poland, was subtly modified in comparison with the source material. Wajda sympathized with the soldiers of the Polish independence underground; thus, he devoted most of the attention to Chełmicki. During the three-month development of Ashes and Diamonds, the director made drastic changes to the baseline scenario, thanks to his assistant director Janusz Morgenstern, as well as Cybulski, who played the leading role. The film received permission from the authorities to be distributed only through Andrzejewski's intercession. The film did not receive permission to be screened at the main competition at the Cannes Film Festival. However, Ashes and Diamonds appeared at the Venice Film Festival, where it won the FIPRESCI award. (Full article...)

Selected biography -

Monroe in 1953

Marilyn Monroe (/ˈmærəlɪn mənˈroʊ/; born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962) was an American actress, model, and singer. Known for playing comic "blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as well as an emblem of the era's sexual revolution. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $2 billion in 2021) by the time of her death in 1962. Long after her death, Monroe remains a pop culture icon. In 1999, the American Film Institute ranked her as the sixth-greatest female screen legend from the Golden Age of Hollywood.

Born and raised in Los Angeles, Monroe spent most of her childhood in a total of 12 foster homes and an orphanage before marrying James Dougherty at age sixteen. She was working in a factory during World War II when she met a photographer from the First Motion Picture Unit and began a successful pin-up modeling career, which led to short-lived film contracts with 20th Century Fox and Columbia Pictures. After a series of minor film roles, she signed a new contract with Fox in late 1950. Over the next two years, she became a popular actress with roles in several comedies, including As Young as You Feel and Monkey Business, and in the dramas Clash by Night and Don't Bother to Knock. Monroe faced a scandal when it was revealed that she had posed for nude photographs prior to becoming a star, but the story did not damage her career and instead resulted in increased interest in her films. (Full article...)

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