The six major branches of Christianity are the Catholic Church (1.3 billion), Protestantism (800 million), the Eastern Orthodox Church (220 million), the Oriental Orthodox churches (60 million), the Church of the East (0.6 million), and Restorationism (35 million), though thousands of smaller church communities exist despite efforts toward unity (ecumenism). Despite a decline in adherence in the West, Christianity remains the dominant religion in the region, with about 70% of that population identifying as Christian. Christianity is growing in Africa and Asia, the world's most populous continents. Christians remain greatly persecuted in many regions of the world, particularly in the Middle East, North Africa, East Asia, and South Asia. (Full article...)
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Gothic boxwood miniatures are very small Christian wood sculptures produced during the 15th and 16th centuries in the Low Countries, at the end of the Gothic period and during the emerging Northern Renaissance. They consist of highly intricate layers of reliefs, often rendered to nearly microscopic level, and are made from boxwood, which has a fine grain and high density suitable for detailed micro-carving. There are around 150 surviving examples; most are spherical rosary beads (known as prayer nuts), statuettes, skulls, or coffins; some 20 are in the form of polyptychs, including triptych and diptychaltarpieces, tabernacles and monstrances. The polyptychs are typically 10–13cm in height. Most of the beads are 10–15cm in diameter and designed so they could be held in the palm of a hand, hung from necklaces or belts, or worn as fashionable accessories.
Boxwood miniatures were highly prized in the early 16th century. Their iconography, form, and utility can be linked to medieval ivory carvings, as well as contemporary illuminated miniatures, altarpieces, panel paintings, sculpture, woodcuts, and engravings. They typically contain imagery from the life of Mary, the Crucifixion of Jesus, or vistas of Heaven and Hell. Each miniature's production required exceptional craftsmanship, and some may have taken decades of cumulative work to complete, suggesting that they were commissioned by high-ranking nobles. (Full article...)
Image 4The Adoration of the Trinity by Albrecht Dürer (1511): from top to bottom: Holy Spirit (dove), God the Father and the crucified Christ (from Trinity)
Image 513th-century depiction of the Trinity from a Roman de la Rose manuscript (from Trinity)
Image 6God the Father (top), and the Holy Spirit (represented by a dove) depicted above Jesus. Painting by Francesco Albani (d. 1660) (from Trinity)
Image 7A Greek fresco of Athanasius of Alexandria, the chief architect of the Nicene Creed, formulated at Nicaea. (from Trinity)
Image 19A compact diagram of the Trinity, known as the "Shield of Trinity". The Shield is not generally intended to be a schematic diagram of the structure of God, but it presents a series of statements about the correlation between the persons of the Trinity. (from Trinity)
Image 20First page of Mark, by Sargis Pitsak (14th century): "The beginning of the gospel of Jesus Christ, the Son of God". (from Jesus in Christianity)
Image 21Atypical depiction. The Son is identified by a lamb, the Father an Eye of Providence, and the Spirit a dove, painting by Fridolin Leiber (d. 1912) (from Trinity)
Image 24Renaissance painting by Jerónimo Cosida depicting Jesus as a triple deity. Inner text: The Father is God; the Son is God; the Holy Spirit is God (from Trinity)
The Sixtine Vulgate or Sistine Vulgate (Latin: Vulgata Sixtina) is the edition of the Vulgate—a 4th-century Latin translation of the Bible that was written largely by Jerome—which was published in 1590, prepared by a commission on the orders of Pope Sixtus V and edited by himself. It was the first edition of the Vulgate authorised by a pope. Its official recognition was short-lived; the edition was replaced in 1592 by the Sixto-Clementine Vulgate.
In 1546, the Council of Trent had decreed that the Vulgate was authoritative and authentic, and ordered that the Vugate be printed as correctly as possible. No edition of the Vulgate officially approved by the Catholic Church existed at the time. Twenty years later, work to produce an official edition of the Vulgate began: Pius V appointed a commission to produce an official edition of the Vulgate. However, his successor, Gregory XIII, did not continue the work. (Full article...)