Postmodern horror
Postmodern horror is a horror film related to the art and philosophy of postmodernism.
Night of the Living Dead (1968), one of the earliest examples of postmodern horror cinema
Notable postmodern horror films
- Dead of Night (1945)[1]
- Spider Baby (1967)[2]
- Night of the Living Dead (1968)[3][1][4]
- Targets (1968)[1]
- The Texas Chainsaw Massacre (1974)[1]
- House (1977)[5]
- Halloween (1978)[1]
- Dawn of the Dead (1978)[6]
- Invasion of the Body Snatchers (1978)[7]
- The Brood (1979)[1]
- The Shining (1980)[8]
- The Howling (1981)[9][1]
- The Entity (1982)[1]
- The Thing (1982)[1]
- Videodrome (1983)[1]
- The Toxic Avenger (1984)[10]
- A Nightmare on Elm Street (1984)[1]
- Re-Animator (1985)[1]
- Fright Night (1985)[11]
- Chopping Mall (1986)[1]
- Evil Dead II (1987)[12]
- Beetlejuice (1988)[13]
- Lady in White (1988)[1]
- Henry: Portrait of a Serial Killer (1990)[1]
- Candyman (1992)[4]
- Wes Craven's New Nightmare (1994)[11][14]
- From Dusk till Dawn (1996)[15]
- Scream (1996)[16][17][18][19][11][15]
- I Know What You Did Last Summer (1997)[20]
- Bride of Chucky (1998)[21]
- The Blair Witch Project (1999)[15]
- American Psycho (2000)[15]
- Final Destination (2000)[15]
- Scary Movie (2000)[20]
- Party Monster (2003)[22]
- Shaun of the Dead (2004)[15]
- Drag Me to Hell (2009)[15]
- The Cabin in the Woods (2012)[11][15]
- ParaNorman (2012)[23]
- Hotel Transylvania (2012)[24]
- The Final Girls (2015)[25]
- Get Out (2017)[26]
- Us (2019)[27]
- Midsommar (2019)[28]
- Last Night in Soho (2021)[29]
- Nope (2022)[30]
Directors associated with postmodern horror
See also
References
- Prince, Stephen (February 2, 2004). The Horror Film. Rutgers University Press. ISBN 9780813533636. Retrieved February 2, 2023 – via Google Books.
- "Spider Baby, or the Maddest Story Ever Told (1967)". January 15, 2018. Retrieved February 2, 2023.
- ""The Walking Dead" Recalls a 60s Horror Classic". November 22, 2010. Retrieved February 2, 2023 – via www.reuters.com.
- Kee, J. (February 2, 2015). "Black Masculinities and Postmodern Horror: Race, Gender, and Abjection". www.semanticscholar.org. S2CID 194218977. Retrieved February 2, 2023.
- "Heart of Weirdness: The Story Behind HAUSU". Austin Film Society. October 22, 2018. Retrieved February 2, 2023.
- "Filmmuseum - Program SD". www.filmmuseum.at.
- Cusson, Katie (April 11, 2022). "Every Invasion of the Body Snatchers Movie and How Each is an Allegory For Their Time". MovieWeb. Retrieved February 2, 2023.
- Anastasova, Maria (October 12, 2018). The Suspense of Horror and the Horror of Suspense. Cambridge Scholars Publishing. ISBN 9781527519046. Retrieved February 2, 2023 – via Google Books.
- Staff, Slant (October 28, 2022). "The 100 Best Horror Movies of All Time". Slant Magazine. Retrieved February 2, 2023.
- "What Will The Citizens Of New Jersey Mutate Into?". Gizmodo. May 9, 2010. Retrieved February 2, 2023.
- "The Most Important Postmodern Horror Movies". uk.yahoo.com. Retrieved February 2, 2023.
- Arnzen, Michael A. (February 2, 1994). "Who's Laughing now? The Postmodern Splatter Film". Journal of Popular Film and Television. 21 (4): 176–184. doi:10.1080/01956051.1994.9943985. Retrieved February 2, 2023 – via www.academia.edu.
- "30 years later and Beetlejuice is still the ghost with the most". March 30, 2018. Retrieved February 2, 2023.
- Trinos, Angelo Delos (June 24, 2022). "10 Times Horror Movies Broke Their Own Rules". CBR. Retrieved February 2, 2023.
- "10 Savvy Postmodern Horror Films That Helped Reinvent The Genre | Decider". October 24, 2015. Retrieved February 2, 2023.
- "Horror in fancy clothes: the 1990s cycle of prestige monster movies". BFI. Retrieved February 2, 2023.
- "The top 10 greatest horror films of the 1980s". faroutmagazine.co.uk. October 14, 2021. Retrieved February 2, 2023.
- "Scream and Scream Again: The Postmodern Musings of "Scream"". MUBI. Retrieved February 2, 2023.
- Hollman, Raquel (August 30, 2022). "Wes Craven's 'Last House on the Left' Is Not Just About Depravity and Violence". Collider. Retrieved February 2, 2023.
- Black, A. J. (July 7, 2020). "SCARY MOVIE: a post-modern horror spoof without any post-modern wit (2000 in Film #26)". We Made This. Retrieved February 2, 2023.
- Staff, The Playlist (April 15, 2011). "The Playlist's Guide To Horror Sequels Worth Screaming About". Retrieved February 2, 2023.
- Russell, Saralyn (June 10, 2014). "Queerly Monstrous: Reading Party Monster as a Postmodern Horror Film". Kino: The Western Undergraduate Film Studies Journal. 5 (1). Retrieved February 2, 2023 – via ojs.lib.uwo.ca.
- "'ParaNorman' Is a Hilarious, Heartfelt Horror Homage, PopMatters". August 13, 2012. Retrieved February 2, 2023.
- Thill, Scott. "Exclusive Video: Crafting Hotel Transylvania's CGI Monster Party". Retrieved February 2, 2023 – via www.wired.com.
- Smith, Nathan (August 5, 2022). "Summer-Camp Horror Movies to Stream From Your Bunk". Vulture. Retrieved February 2, 2023.
- "'Get Out' Is The Type Of Movie The Oscars Should Pay Attention To". HuffPost. March 5, 2017. Retrieved February 2, 2023.
- "Jordan Peele's 'Us' Postmodernism and Free-Floating Racism". March 29, 2019. Retrieved February 2, 2023.
- Wolfe, Monica (October 2, 2021). "Mapping Imperialist Movement in Postmodern Horror Film Midsommar". Journal of Popular Film and Television. 49 (4): 210–222. doi:10.1080/01956051.2021.1881036. S2CID 246241427. Retrieved February 2, 2023 – via Taylor and Francis+NEJM.
- Walsh, Katie (October 28, 2021). "Review: A visual and aural feast, Edgar Wright's 'Last Night in Soho' has a few wobbles". Los Angeles Times. Retrieved February 2, 2023.
- Gittell, Noah (July 20, 2022). "Jordan Peele's Nope Fails to Dazzle When the Aliens Are Revealed - WCP". Washington City Paper. Retrieved February 2, 2023.
Further reading
- Prince, Stephen The Horror Film, Rutgers University Press 2012
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